Zodiac, the brilliant second novel from the New York Times bestselling author of the The Baroque Cycle and Snow Crash, is now available from Grove Press. Meet Sangamon Taylor, a New Age Sam Spade who sports a wet suit instead of a trench coat and prefers Jolt from the can to Scotch on the rocks. He knows about chemical sludge the way he knows about evilall too intimately. And the toxic trail he follows leads to some high and foul places. Before long Taylor's house is bombed, his every move followed, he's adopted by reservation Indians, moves onto the FBI's most wanted list, makes up with his girlfriend, and plays a starring role in the near-assassination of a presidential candidate. Closing the case with the aid of his burnout roommate, his tofu-eating comrades, three major networks, and a range of unconventional weaponry, Sangamon Taylor pulls off the most startling caper in Boston Harbor since the Tea Party.
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Moving Target
This is an important and illuminating collection of essays and lectures by the winner of the 1983 Nobel Prize for Literature. William Golding writes about places as diverse as Wiltshire, where he lived for over half a century, Dutch waterways, Delphi, Egypt ancient and modern, and planet Earth herself. Other essays discuss books and ideas, and provide a fascinating background to the appreciate Golding's own writing and imagination. It includes Golding's Nobel Speech. "e;Golding come through this collection as reserved and wary, but delightful...His writing is a joy"e;. (Sunday Times).
Aunt Julia and the Scriptwriter
'A comic novel on the grand scale written with tremendous confidence and verve. Mario, 18-year-old law student and radio news-editor, falls scandalously for his Aunt Julia, the 32-year-old divorced wife of a cousin, and the progressively lunatic story of this affair is interwoven with episodes from a series of radio soap-operas written by his friend Pedro Comacho. Vargas Llosa's huge energy and inventiveness is extravagant and fabulously funny.'
No Man's Land
'The work of our best living playwright in its command of the language and its power to erect a coherent structure in a twilight zone of confusion and dismay.' The TimesDo Hirst and Spooner really know each other, or are they performing an elaborate charade? The ambiguity - and the comedy - intensify with the arrival of Briggs and Foster. All four inhabit a no-man's-land between time present and a time remembered, between reality and wkkk.net Man's Land was first presented at the National Theatre at the Old Vic, London, in 1975, revived at the Almeida Theatre, London, with Harold Pinter as Hirst and revived by the National Theatre, directed by Harold Pinter, in 2001.
Unnamable
The Unnamable - so named because he knows not who he may be - is from a nameless place. He speaks of previous selves ('all these Murphys, Molloys, and Malones…') as diversions from the need to stop speaking altogether. But, as with the other novels in the trilogy, the prose is full of marvellous precisions, full of its own reasons for keeping going. …perhaps the words have carried me to the threshold of my story, before the door that opens on my story, that would surprise me, if it opens, it will be I, will be the silence, where I am, I don't know, I'll never know, in the silence you don't know, you must go on, I can't go on, I'll go on.
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