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    It was with this play that Harold Pinter had his first major success, and its production history since it was first performed in 1960 has established the work as a landmark in twentieth-century drama. The obsessive caretaker, Davies, whose papers are in Sidcup, is a classic comic creation, and his uneasy relationship with the enigmatic Aston and Mick established the author's individuality with an international audience.
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    When Emma's sister travels to the exotic island of Mauritius in pursuit of a man who's clearly toying with her heart, Emma is determined to rescue her. But when she arrives on the island, she meets the man herself--handsome, arrogant Paul Fanchotte--and is immediately smitten.Paul is gorgeous, sensual, and infuriating--and soon Emma completely understands her sister's dilemma. It's not long before she is caught in a web of desire--and falls desperately in love. But Paul has made a vow never to fall for a woman. Can Emma make him break that vow--or will it be her heart that's broken?
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    Widely and justly celebrated for his flawless handling of the lyric, Seamus Heaney is here shown venturing into new imaginative territory. Poems exploring the theme of loss, and in particular a sonnet sequence concerning the death of the poet's mother, are joined in The Haw Lantern by meditations on the conscience of the writer and exercises in an allegorical vein that will both surprise and delight the many admirers of his previous work. 'More than other poet since Wordsworth he can make us understand that the outside world is not outside, but what we are made of.' John Carey, Sunday Times
  • Opened Ground

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    This volume is a much-needed new selection of Seamus Heaney's work, taking account of recent volumes and of the author's work as a translator, and offering a more generous choice from previous volumes. Opened Ground: Poems 1966-1996 comes as close to being a 'Collected Poems' as its author cares to make it. It replaces his New Selected Poems 1966-1987, giving a fuller selection from each of the volumes represented there and adding large parts of those that have appeared since, together with examples of his work as a translator from the Greek, Latin, Italian and other languages. The book concludes with 'Crediting Poetry', the speech with which Seamus Heaney accepted the 1995 Nobel Prize in Literature, awarded to him, in the words of the Swedish Academy of Letters, for his 'works of lyrical beauty and ethical depth'.
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