The single room of old MRS. LEMMY, in a small grey house in Bethnal Green, the room of one cumbered by little save age, and the crockery debris of the past. A bed, a cupboard, a coloured portrait of Queen Victoria, and--of all things--a fiddle, hanging on the wall. By the side of old MRS. LEMMY in her chair is a pile of corduroy trousers, her day's sweated sewing, and a small table. She sits with her back to the window, through which, in the last of the light, the opposite side of the little grey street is visible under the evening sky, where hangs one white cloud shaped like a horned beast. She is still sewing, and her lips move. Being old, and lonely, she has that habit of talking to herself, distressing to those who cannot overhear.
From the smack of her tongue she was once a West Country cottage woman; from the look of her creased, parchmenty face, she was once a pretty girl with black eyes, in which there is still much vitality. The door is opened with difficulty and a little girl enters, carrying a pile of unfinished corduroy trousers nearly as large as herself. She puts them down against the wall, and advances. She is eleven or twelve years old; large-eyed, dark haired, and sallow. Half a woman of this and half of another world, except when as now, she is as irresponsible a bit of life as a little flowering weed growing out of a wall. She stands looking at MRS. LEMMY with dancing eyes.
L. AIDA. I've brought yer to-morrer's trahsers. Y'nt yer finished wiv to-dy's? I want to tyke 'em.
MRS. L. No, me dear. Drat this last one--me old fengers!
L. AIDA. I learnt some poytry to-dy--I did.
MRS. L. Well, I never!
L. AIDA. [Reciting with unction]
"Little lamb who myde thee?
Dost thou know who myde thee, Gyve thee life and byde thee feed By the stream and oer the mead;
Gyve the clothing of delight, Softest clothing, woolly, bright;
Gyve thee such a tender voice, Myking all the vyles rejoice.
Little lamb who myde thee?
Dost thou know who myde thee?"
MRS. L. 'Tes wonderful what things they tache ya nowadays.
L. AIDA. When I grow up I'm goin' to 'ave a revolver an' shoot the people that steals my jools.
MRS. L. Deary-me, wherever du yu get yore notions?
L. AIDA. An' I'm goin' to ride on as 'orse be'ind a man; an' I'm goin' to ryce trynes in my motor car.
MRS. L. [Dryly] Ah!--Yu'um gwine to be very busy, that's sartin.
Can you sew?
L. AIDA. [With a Smile] Nao.
MRS. L. Don' they tache Yu that, there?
L. AIDA. [Blending contempt and a lingering curiosity] Nao.
MRS. L. 'Tes wonderful genteel.
L. AIDA. I can sing, though.
MRS. L. Let's 'ear yu, then.
L. AIDA. [Shaking her head] I can ply the pianner. I can ply a tune.
MRS. L. Whose pianner?
L. AIDA. Mrs. Brahn's when she's gone aht.
MRS. L. Well, yu are gettin' edjucation! Du they tache yu to love yore neighbours?
L. AIDA. [Ineffably] Nao. [Straying to the window] Mrs. Lemmy, what's the moon?
MRS. L. The mune? Us used to zay 'twas made o' crame cheese.
L. AIDA. I can see it.
MRS. L. Ah! Don' yu never go wishin' for it, me dear.
L. AIDA. I daon't.
MRS. L. Folks as wish for the mune never du no gude.
L. AIDA. [Craning out, brilliant] I'm goin' dahn in the street.
I'll come back for yer trahsers.
MRS. L. Well; go yu, then, and get a breath o' fresh air in yore chakes. I'll sune 'a feneshed.
L. AIDA. [Solemnly] I'm goin' to be a dancer, I am.
She rushes suddenly to the door, pulls it open, and is gone.
MRS. L. [Looking after her, and talking to herself.] Ah! 'Er've a-got all 'er troubles before 'er! "Little lamb, a made'ee?"
[Cackling] 'Tes a funny world, tu! [She sings to herself.]
"There is a green 'ill far away Without a city wall, Where our dear-Lord was crucified, 'U died to save us all."
The door is opened, and LEMMY comes in; a little man with a stubble of dark moustache and spiky dark hair; large, peculiar eyes he has, and a look of laying his ears back, a look of doubting, of perversity with laughter up the sleeve, that grows on those who have to do with gas and water. He shuts the door.
MRS. L. Well, Bob, I 'aven't a-seen yu this tu weeks.
LEMMY comes up to his mother, and sits down on a stool, sets a tool-bag between his knees, and speaks in a cockney voice.
LEMMY. Well, old lydy o' leisure! Wot would y' 'ave for supper, if yer could choose--salmon wivaht the tin, an' tipsy cyke?
MRS. L. [Shaking her head and smiling blandly] That's showy. Toad in the 'ole I'd 'ave--and a glass o' port wine.
LEMMY. Providential. [He opens a tool-bag] Wot dyer think I've got yer?
MRS. L. I 'ope yu've a-got yureself a job, my son!
LEMMY. [With his peculiar smile] Yus, or I couldn't 'ave afforded yer this. [He takes out a bottle] Not 'arf! This'll put the blood into yer. Pork wine--once in the cellars of the gryte. We'll drink the ryyal family in this.
[He apostrophises the portrait of Queen Victoria.]
MRS. L. Ah! She was a praaper gude queen. I see 'er once, when 'er was bein' burried.
LEMMY. Ryalties--I got nothin' to sy agynst 'em in this country.
But the STYTE 'as got to 'ave its pipes seen to. The 'ole show's goin' up pop. Yer'll wyke up one o' these dyes, old lydy, and find yerself on the roof, wiv nuffin' between yer an' the grahnd.
MRS. L. I can't tell what yu'm talkin' about.
LEMMY. We're goin' to 'ave a triumpherat in this country Liberty, Equality, Fraternity; an' if yer arsk me, they won't be in power six months before they've cut each other's throats. But I don't care--I want to see the blood flow! (Dispassionately) I don' care 'oose blood it is. I want to see it flow!
MRS. L. [Indulgently] Yu'm a funny boy, that's sartin.
