登陆注册
5151500000001

第1章 THE LUMLEY AUTOGRAPH(1)

BY THE AUTHOR OF "RURAL HOURS," ETC.

The month of November of the year sixteen hundred and -- was cheerless and dark, as November has never failed to be within the foggy, smoky bounds of the great city of London.It was one of the worst days of the season; what light there was seemed an emanation from the dull earth, the heavens would scarce have owned it, veiled as they were, by an opaque canopy of fog which weighed heavily upon the breathing multitude below.Gloom penetrated every where; no barriers so strong, no good influences so potent, as wholly to ward off the spell thrown over that mighty town by the spirits of chill and damp; they clung to the silken draperies of luxury, they were felt within the busy circle of industry, they crept about the family hearth, but abroad in the public ways, and in the wretched haunts of misery, they held undisputed sway.

Among the throng which choked the passage of Temple-Bar toward evening, an individual, shabbily clad, was dragging his steps wearily along, his pallid countenance bearing an expression of misery beyond the more common cares of his fellow-passengers.Turning from the great thoroughfare he passed into a narrow lane, and reaching the door of a mean dwelling he entered, ascended a dirty stairway four stories high, and stood in his garret lodging.If that garret was bare, cold, and dark, it was only like others, in which many a man before and since has pined away years of neglect and penury, at the very moment when his genius was cheering, enriching, enlightening his country and his race.That the individual whose steps we have followed was indeed a man of genius, could not be doubted by one who had met the glance of that deep, clear, piercing eye, clouded though it was at that moment by misery of body and mind that amounted to the extreme of anguish.The garret of the stranger contained no food, no fuel, no light; its occupant was suffering from cold, hunger, and wretchedness.Throwing himself on a broken chair, he clenched his fingers over the manuscript, held within a pale and emaciated hand.

"Shall I die of hunger--or shall I make one more effort?" he exclaimed, in a voice in which bitterness gave a momentary power to debility.

"I will write once more to my patron--possibly--" without waiting to finish the sentence, he groped about in the dull twilight for ink and paper; resting the sheet on a book, he wrote in a hand barely legible:

"Nov.20th 16--, "MY LORD--I have no light, and cannot see to write--no fire and my fingers are stiff with cold--I have not tasted food for eight and forty hours, and I am faint.Three times, my lord, I have been at your door to day, but could not obtain admittance.This note may yet reach you in time to save a fellow-creature from starvation.I have not a farthing left, nor credit for a ha'penny--small debts press upon me, and the publishers refused my last poem.Unless relieved within a few hours I must perish."Your lordship's most humble, "Most obedient, most grateful servant."

This letter, scarcely legible from the agitation and misery which enfeebled the hand that wrote it, was folded, and directed, and again the writer left his garret lodging on the errand of beggary; he descended the narrow stairway, slowly dragged his steps through the lane, and sought the dwelling of his patron.

Whether he obtained admittance, or was again turned from the door; whether his necessities were relieved, or the letter was idly thrown aside unopened, we cannot say.Once more mingled with the crowd, we lose sight of him.It is not the man, but the letter which engages our attention to-day.There is still much doubt and uncertainty connected with the subsequent fate of the poor poet, but the note written at that painful moment has had a brilliant career, a history eventful throughout.If the reader is partial to details of misery, and poverty, any volume of general literary biography will furnish him with an abundant supply, for such has too often proved the lot of those who have built up the noble edifice of British Literature: like the band of laborers on the Egyptian pyramid, theirs was too often a mess of leeks, while milk, and honey, and oil, were the portion of those for whom they toiled, those in whose honor, and for whose advantage the monument was raised.Patrons, whether single individuals or nations, have too often proved but indifferent friends,careless and forgetful of those whom they proudly pretend to foster.But leaving the poor poet, with his sorrows, to the regular biographer, we choose rather the lighter task of relating the history of the letter itself; a man's works are often preferred before himself, and it is believed that in this, the day of autographs, no further apology will be needed for the course taken on the present occasion.We hold ourselves, indeed, entitled to the especial gratitude of collectors for the following sketch of a document maintaining so high a rank in their estimation.

同类推荐
  • 国初礼贤录

    国初礼贤录

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 勿斋先生文集

    勿斋先生文集

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 茶具图赞

    茶具图赞

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 佛说菩萨逝经

    佛说菩萨逝经

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • The Point of View

    The Point of View

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
热门推荐
  • 重生在漫威里的道君

    重生在漫威里的道君

    这是一个道君重生在漫威世界的故事。一路无敌强推,脚踢神盾局,手撕灭霸吞星,把整个漫威捅出了一个血流成河!无女主,不虐主,不圣母群号954619925
  • 仙穹九变

    仙穹九变

    意气风发的江林,为了让自己的名望传播到更加广阔的天地中去,让更多的同辈之人侧目他,江林毅然决然地加入到平魔一事中,本以为可以借此声望更上一层楼,却没想到,被突然喷涌而出的魔气袭中,九变仙穹,唯我独尊!
  • 卑鄙的圣人:曹操5

    卑鄙的圣人:曹操5

    历史上的大奸大忠都差不多,只有曹操大不同!曹操的计谋,奸诈程度往往将对手整得头昏脑涨、找不着北,卑鄙程度也屡屡突破道德底线,但他却是一个心怀天下、体恤众生的圣人;而且他还是一个柔情万丈、天才横溢的诗人;最后他还是一个敏感、自卑、内心孤独的普通男人。
  • 回头看中国

    回头看中国

    回头看中国,看什么?看晚清至民国期间中国的百年历史。当我们拉开历史的距离,回头看中国的时候,发现外国人也曾经用好奇和探寻的目光去观察那个世界。在他们的目光中,中国社会的形态和表现,与我们的认知存在着巨大的差距,一切似乎并不像我们所想象和理解的那样 。
  • 燃烧的山河

    燃烧的山河

    《燃烧的山河》这部作品,以邹长地区黑铁山抗日武装起义为故事的源头,通过描写波澜壮阔的抗战历史,正面表现了在中国共产党的领导下,爱国进步学生经过战火洗礼成长为革命战士的过程和经历。以排山倒海之势正面描写了邹长地区人民不屈的抗战过程,给人一种波涛汹涌的力量。
  • 纳尼亚传奇(中)

    纳尼亚传奇(中)

    故事的开始讲述一个小男孩和一个女孩偶然进入了一个异世界,被称为“纳尼亚”,并在那里经历过一连串的冒险,及看到那个世界的创造......,
  • 地狱变

    地狱变

    《地狱变》收录了日本文学巨擘芥川龙之介的中短篇小说共十七篇。其中,以《地狱变》《鼻子》为代表,从独特叙述视角和叙事结构出发,冷峻地观照了“他人即地狱”的彼时日本社会心理。这种畸形的个体心理逐渐演变成为一种习惯性的社会心理,发人深思。此外,以《地狱变》为代表的作品则表现了“为艺术的艺术”的孤独者的人生悲歌。通过自我毁灭的方式来达成“艺术至上”的理想,这沉痛代价的背后是孤独灵魂的痛苦咆哮。总而言之,芥川的小说题材丰富、形式多样,好以古观今,尤擅从禅宗哲学来解构故事,鞭笞人性。实属佳作,深刻而冷峻。
  • 安徒生童话(上)

    安徒生童话(上)

    关于我所写的童话,我也想说几句我自己的心里话。首先从已经出版成集的《讲给孩子们听的童话》说起,这是我的第一部童话作品集。这部童话作品集出版后,对于它的评价有各种各样的声音。我到现在还很尊重这些声音,虽然不乏批评之声。我很珍惜他们对我所写童话作品的批评,我知道这是他们发自内心的肺腑之言。
  • 妖娆魔妃太倾城

    妖娆魔妃太倾城

    ◆菲利艾尔——魔界的一种花,花语:坚强的妖娆。它只是,一只小恶魔的名字。一只被巴尔大君王从时空裂缝的战场上捡回来的一只小恶魔,被巴尔大君王赐予的名字。◆七十二魔神柱,七十二位魔神。巴尔·路西菲尔。坐在最高王位上的第一魔神。红衣红眸,俊美冰冷,像一团裹杂着坚冰的火焰。唯独却被一双异色双瞳,溶解了那层坚冰。◆他说过:待她长大,会是本王唯一的王妃,整个魔界的妃主。她说过:就算成不了你的剑与盾,起码让我成为你身边的谋士。菲利艾尔·路西菲尔,被冠以的高贵姓氏。平庸无能的无属性,十二年的无忧无虑。让她忘记了当初濒死的绝望。◆当这股光芒消失的时候。当这片天空塌下来的时候。当自己的灵魂迷失的时候。曾经被冠以没有资格呆在魔王宫的无属性。掩盖着怎么的风华?◆圣战失败,魔族失守,巴尔大君王陷入沉睡。魔界一片狼藉。魔神柱旁,他留下了那句让她泣不成声的等我回来。菲利艾尔:就算献出我的生命,我也要将你唤醒。◆为了心爱之人,她走上了一条浸满鲜血的不归之路。妖娆魔妃之名,响彻整片苍穹。◇安杜马里:死花,难道不是他就不行吗?◇仁:自从相遇的那一刻,我便注定为你所用。◇阿瑟:主人~就算死,我也是为保护你而死~◇米歇尔:当初是你诱惑我的,你要负责!◇迪亚:我永远只是你一人的护卫。.......【本书1V1,男强+女强,男主前期出现不多,绝对宠文,不虐,剧情慢热,绝对够爽~】
  • 熏酱卤味自己做

    熏酱卤味自己做

    《美食天下(第1辑):熏酱卤味自己做》教你熏酱卤菜的制作技巧,卤味熟食香而不腻、香飘四溢,在烹调方法上讲究品种丰富、料多味美,更讲究烹饪精湛、制作工艺精细、操作要求严格,浓郁喷香让人垂涎欲滴,省钱省力收获美味健康,让你选择美味,收获健康。