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前面是梨树,后面是芭蕉
这是一个阳光灿烂的下午,从山上往下看,整个村庄在绿柳浓阴、水光潋滟、秋蝉声声的围绕之中。入秋的村子,像一幅笔画纯熟的老画,有心的人发现,桥头石狮底下、宗祠屋檐下、老槐树干上,还有晒谷坪、农资站、小卖部,这一路过去,都还能看到当时老道士镇邪贴下的黄色纸符。尽管村里很小心注意这些给村里带来祥和的黄纸条,孩子们也因惧怕而敬而远之,但还是不抵长时间的风吹雨淋日晒。纸符大多残缺不全,颜色一律都变成了白色,灰似的。如果不是知道它的来历,恐怕一般人猜不出它们竟然肩负着维护全村大小平安的重要使命。山冈上,走着走着,一个抚腰的妇女深深地叹了口气:你们不要说,老道士的话,还是真准呐。The Sexual Life of Catherine M.
A national best-seller that was featured on such lists as The New York Times, the Los Angeles Times, The Washington Post, the San Francisco Chronicle, The Boston Globe, and Publishers Weekly, The Sexual Life of Catherine M. was the controversial sleeper hit of the year. Since her youth, Catherine Millet, the eminent editor of Art Press, has led an extraordinarily active and free sexual life -- from al fresco encounters in Italy to a gang bang on the edge of the Bois du Boulogne to a high-class orgy at a chichi Parisian restaurant. A graphic account of sex stripped of sentiment, of a life of physical gratification and a relentlessly honest look at the consequences -- both liberating and otherwise -- have created this candid, powerful, and deeply intelligent depiction of unfettered sexuality.