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Oe introduces Kogito Choko, a writer in his early sixties, as he rekindles a childhood friendship with his estranged brother-in-law, the renowned filmmaker Goro Hanawa. Goro sends Kogito a trunk of tapes he has recorded of reflections about their friendship, but as Kogito is listening one night, he hears something odd. "I'm going to head over to the Other Side now," Goro says, and then Kogito hears a loud thud. After a moment of silence, Goro's voice continues: "But don't worry, I'm not going to stop communicating with you." Moments later, Kogito's wife rushes in; Goro has jumped to his death. With that, Kogito begins a far-ranging search to understand what drove his brother-in-law to suicide. His quest takes him from the forests of southern Japan to the washed-out streets of Berlin, where Kogito confronts the ghosts from his own past and that of his lifelong, but departed, friend.墨子:庶民社会的主张
礼教本身就是祸乱之源!墨子雄辩滔滔地向儒家阵营发起攻击。他是思想家,更是行动派。本书以墨子及墨家思想的核心主张为线索,勾勒出了墨子及其学派的思想和实践活动的轮廓:墨子出身于庶民阶级,却主张封建礼教本身就是动乱的根源;墨子雄辩滔滔,以“兼爱”为武器向儒家阵营发动猛烈攻击,反覆冲撞层层壁垒,批判封建礼教支持者言行不一、矛盾可笑;墨家不是只会辩论,他们同样重视身体力行,墨子提出“非攻”主张,也亲自带领门徒为实践信念而奔走于各国,用行动证明,在那样的乱世中,墨家的主张确实有其合理性,也深具价值。