登陆注册
5435800000019

第19章

There is something, as a rule, slightly contemptible about ancient criticism. The modern idea of the critic as the interpreter, the expounder of the beauty and excellence of the work he selects, seems quite unknown. Nothing can be more captious or unfair, for instance, than the method by which Aristotle criticised the ideal state of Plato in his ethical works, and the passages quoted by Polybius from Timaeus show that the latter historian fully deserved the punning name given to him. But in Polybius there is, I think, little of that bitterness and pettiness of spirit which characterises most other writers, and an incidental story he tells of his relations with one of the historians whom he criticised shows that he was a man of great courtesy and refinement of taste -as, indeed, befitted one who had lived always in the society of those who were of great and noble birth.

Now, as regards the character of the canons by which he criticises the works of other authors, in the majority of cases he employs simply his own geographical and military knowledge, showing, for instance, the impossibility in the accounts given of Nabis's march from Sparta simply by his acquaintance with the spots in question;or the inconsistency of those of the battle of Issus; or of the accounts given by Ephorus of the battles of Leuctra and Mantinea.

In the latter case he says, if any one will take the trouble to measure out the ground of the site of the battle and then test the manoeuvres given, he will find how inaccurate the accounts are.

In other cases he appeals to public documents, the importance of which he was always foremost in recognising; showing, for instance, by a document in the public archives of Rhodes how inaccurate were the accounts given of the battle of Lade by Zeno and Antisthenes.

Or he appeals to psychological probability, rejecting, for instance, the scandalous stories told of Philip of Macedon, simply from the king's general greatness of character, and arguing that a boy so well educated and so respectably connected as Demochares (xii. 14) could never have been guilty of that of which evil rumour accused him.

But the chief object of his literary censure is Timaeus, who had been unsparing of his strictures on others. The general point which he makes against him, impugning his accuracy as a historian, is that he derived his knowledge of history not from the dangerous perils of a life of action but in the secure indolence of a narrow scholastic life. There is, indeed, no point on which he is so vehement as this. 'A history,' he says, 'written in a library gives as lifeless and as inaccurate a picture of history as a painting which is copied not from a living animal but from a stuffed one.'

There is more difference, he says in another place, between the history of an eye-witness and that of one whose knowledge comes from books, than there is between the scenes of real life and the fictitious landscapes of theatrical scenery. Besides this, he enters into somewhat elaborate detailed criticism of passages where he thought Timaeus was following a wrong method and perverting truth, passages which it will be worth while to examine in detail.

Timaeus, from the fact of there being a Roman custom to shoot a war-horse on a stated day, argued back to the Trojan origin of that people. Polybius, on the other hand, points out that the inference is quite unwarrantable, because horse-sacrifices are ordinary institutions common to all barbarous tribes. Timaeus here, as was common with Greek writers, is arguing back from some custom of the present to an historical event in the past. Polybius really is employing the comparative method, showing how the custom was an ordinary step in the civilisation of every early people.

In another place, (21) he shows how illogical is the scepticism of Timaeus as regards the existence of the Bull of Phalaris simply by appealing to the statue of the Bull, which was still to be seen in Carthage; pointing out how impossible it was, on any other theory except that it belonged to Phalaris, to account for the presence in Carthage of a bull of this peculiar character with a door between his shoulders. But one of the great points which he uses against this Sicilian historian is in reference to the question of the origin of the Locrian colony. In accordance with the received tradition on the subject, Aristotle had represented the Locrian colony as founded by some Parthenidae or slaves' children, as they were called, a statement which seems to have roused the indignation of Timaeus, who went to a good deal of trouble to confute this theory. He does so on the following grounds:-First of all, he points out that in the ancient days the Greeks had no slaves at all, so the mention of them in the matter is an anachronism; and next he declares that he was shown in the Greek city of Locris certain ancient inscriptions in which their relation to the Italian city was expressed in terms of the position between parent and child, which showed also that mutual rights of citizenship were accorded to each city. Besides this, he appeals to various questions of improbability as regards their international relationship, on which Polybius takes diametrically opposite grounds which hardly call for discussion. And in favour of his own view he urges two points more: first, that the Lacedaemonians being allowed furlough for the purpose of seeing their wives at home, it was unlikely that the Locrians should not have had the same privilege; and next, that the Italian Locrians knew nothing of the Aristotelian version and had, on the contrary, very severe laws against adulterers, runaway slaves and the like.

同类推荐
  • 唐愚士诗

    唐愚士诗

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 所知录

    所知录

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 海运说

    海运说

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • The Tempest

    The Tempest

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 灵药秘方

    灵药秘方

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
热门推荐
  • 佛说初分说经

    佛说初分说经

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 药性赋

    药性赋

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 继父的承诺

    继父的承诺

    小敏本来有一个幸福的家,可是父亲因车祸丧生,家庭遭遇重创,生活一落千丈。母亲的病倒,相邻的欺负,小敏和弟弟的还未成年,逼得小敏的母亲只能走上了改嫁的道路。为了小敏和弟弟能很好的接受教育,也为了能尽快的还掉外债,继父程木匠来到了小敏的家。小敏的心理对程木匠是难以接受的,可为了母亲的幸福和弟弟的未来,她被迫接受程木匠的到来,但她宁可失学也不要接受继父对自己的帮助。在外面的当保姆的生活,并不是想象中那样好过,她受尽人间冷暖,继父和母亲不远千里接她回家重新上学。继父为了实现自己的承诺,早起晚归,视小敏和弟弟为己出,终于完成了他的承诺,小敏和弟弟也对这个继父满怀感激之情。
  • 三无良人要翻天

    三无良人要翻天

    您好,欢迎光临仙缘杂货铺~~这位客官,请问您打算要点啥?哎,哎,客官,别走啊客官!请相信我——我真的有金手指啊客官!我才不是路人甲啊客官!我真的是女主啊客官!真的真的只是不太明显而已啊……
  • 嫡女嫁到

    嫡女嫁到

    简介:什么?一场意想不到的飞机失事,让她狗血的穿越到了古代。穿越就穿越吧,好歹是个侯府的嫡出小姐,虽说是个不太受宠,胆小懦弱的主儿。但是谁能告诉她,为什么她是被别人从荷花池中捞出来的?为什么她喝的药里会被人下了慢性毒药,是谁要置她于死地?为什么姨娘小姐们隔三茬五就来找她的麻烦,明里暗里给她下绊子?姑奶奶不发威就全当她是小红帽是吧?且看她如何找到老太君这个大靠山,逐渐重获偏心侯爷老爹的宠爱,巧妙化解姨娘小姐的一次次挑衅,最终让她们一个个自食恶果,自掘坟墓的。最后一脚踹飞前来退婚和落井下石的劳什子亲王世子,没收他送来的退婚彩礼,恢复自由身,识花美男,开药膳坊,秀现代智慧,退敌国使臣,一朝扬名天下知。一纸赐婚圣旨下来,谁是这异世中与她相知相守,携手白头的良人?片段一:某男:“五小姐虽然胆小懦弱,无才无德,难以胜任未来睿亲王世子妃,但小侄相信总有一天,五小姐也能够找到能够与其匹配的良人。“某女:“南宫世子,真是听君一席话,自挂东南枝啊!其实世子不用太过为我的未来幸福操心,别以为你一不理我,我就变成狗不理似的。”某爹憋笑:“兮儿,不得对世子无礼!”某女:“爹爹教训的是,但这也不能全怪女儿啊!刚刚南宫世子竟然说女儿无才无德,一无是处,这个女儿是万万不能苟同的。要知道女儿也想对牛弹琴啊,问题是世子能听得懂吗?”
  • 薪商:就业的革命

    薪商:就业的革命

    面对日益激烈的竞争,日趋恶劣的就业环境,作为一名刚刚走出校门的学生或者希望跳槽的职场新人,怎样才能实现找到高薪职位的梦想?著名职业咨询指导曹左先生告诉大家,这个梦想是可以实现的,但是必须要对自己有一个全新的求职规划。合理的规划可以突出自身优势,抓住机遇,使自我价值得到最大体现。即使在就业压力重重的今天,也不要放弃自己的理想和要求,毕竟工作是人生中重要的组成部分。
  • 上帝的格子

    上帝的格子

    记录一些往事,怀念难忘的朋友。思索不断更新,答案经常修正。钱海的长相并不帅,可是神态却极像以英俊潇洒著称的国际影星布鲁斯南。在俞轩的同学里,钱海第一个发了大财,也第一个告别了人世。刚认识钱海的时候,俞轩根本想不到他们会成为朋友。那时他甚至对钱海有些厌恶。在钱海去世时,他却是大学同学里唯一一个跑到他家乡给他送葬的。钱海生前的最后一个电话,也是打给俞轩的。他们的第一次合作还是在学校里。那年俞轩在本市著名文学杂志《五月》上发表了一篇小说。这在同学中绝对是一件具有震撼力的大事。钱海同样也在努力写小说、写剧本,却没有作品发表,不免会心生嫉妒。
  • 驻足世界奢华酒店(全集)

    驻足世界奢华酒店(全集)

    本套书介绍了世界各地的著名豪华酒店,从酒店的区域、历史、风格、服务等方面出发,揭示酒店背后所隐藏着的文化和生活内涵。酒店各有不同,有的是设计酒店、度假酒店,有的是历史悠久的豪华酒店,虽然坐落在不同城市,但均成为当地历史文化的延伸,并且为旅客展示了多种多样的异国文化。书中附有酒店名称原文、地址、预定电话、网址等实用资讯。这套书不是介绍酒店的小册子,不同的视角和对酒店建筑文化、民族风情、特色服务的浓彩重墨的描写使它带有浓厚的文化气息。
  • 霾爻谣

    霾爻谣

    霾系列长篇小说第三部,作者是环境保护一线工作人员,根据工作中所见所思所想,塑造出大侃、盼杰、老康等一批鲜活的人物,通过“抢红包”“吓死宝宝了”等幽默而贴近生活的故事,普及环境保护知识,传播环境保护正能量。该系列《霾来了》《霾之殇》陆续出版后,受到《人民日报》、中央电视台等媒体关注。
  • 春琴抄

    春琴抄

    《春琴抄》描写了一个富家盲女与仆人凄美而又惊心动魄的情爱故事。仆人出身的佐助尽管身心都受到孤傲乖僻的盲女琴师春琴的折磨,却依然对她忠贞不二。在春琴被毁容之后,佐助为了在记忆里永驻她美艳的姿容,竟用针刺瞎了自己的双眼……在大师笔下,一个哀婉凄清的美感世界徐徐展开。本书精选了谷崎润一郎创作盛期(中后期)的代表作《春琴抄》、《刈芦》、《吉野葛》。字里行间充分表现了日本文学的物哀之美、幽玄之美、女性之美。