Mariette, who is taking you at this moment (don't deceive yourself) because she literally has nothing, no engagement, no chance of appearing on the stage, and I have told her that you are going on a newspaper like myself,--Mariette will try to make you believe she is loving you for yourself; and you will believe her! Do as I do,--keep her as long as you can. I was so much in love with Florentine that I begged Finot to write her up and help her to a debut; but my nephew replied, 'You say she has talent; well, the day after her first appearance she will turn her back on you.' Oh, that's Finot all over!
You'll find him a knowing one."
The next day, about four o'clock, Philippe went to the rue de Sentier, where he found Giroudeau in the entresol,--caged like a wild beast in a sort of hen-coop with a sliding panel; in which was a little stove, a little table, two little chairs, and some little logs of wood. This establishment bore the magic words, SUBSCRIPTION OFFICE, painted on the door in black letters, and the word "Cashier," written by hand and fastened to the grating of the cage. Along the wall that lay opposite to the cage, was a bench, where, at this moment, a one-armed man was breakfasting, who was called Coloquinte by Giroudeau, doubtless from the Egyptian colors of his skin.
"A pretty hole!" exclaimed Philippe, looking round the room. "In the name of thunder! what are you doing here, you who charged with poor Colonel Chabert at Eylau? You--a gallant officer!"
"Well, yes! broum! broum!--a gallant officer keeping the accounts of a little newspaper," said Giroudeau, settling his black silk skull-cap.
"Moreover, I'm the working editor of all that rubbish," he added, pointing to the newspaper itself.
"And I, who went to Egypt, I'm obliged to stamp it," said the one- armed man.
"Hold your tongue, Coloquinte," said Giroudeau. "You are in presence of a hero who carried the Emperor's orders at the battle of Montereau."
Coloquinte saluted. "That's were I lost my missing arm!" he said.
"Coloquinte, look after the den. I'm going up to see my nephew."
The two soldiers mounted to the fourth floor, where, in an attic room at the end of a passage, they found a young man with a cold light eye, lying on a dirty sofa. The representative of the press did not stir, though he offered cigars to his uncle and his uncle's friend.
"My good fellow," said Giroudeau in a soothing and humble tone, "this is the gallant cavalry officer of the Imperial Guard of whom I spoke to you."
"Eh! well?" said Finot, eyeing Philippe, who, like Giroudeau, lost all his assurance before the diplomatist of the press.
"My dear boy," said Giroudeau, trying to pose as an uncle, "the colonel has just returned from Texas."
"Ah! you were taken in by that affair of the Champ d'Asile, were you?
Seems to me you were rather young to turn into a Soldier-laborer."
The bitterness of this jest will only be understood by those who remember the deluge of engravings, screens, clocks, bronzes, and plaster-casts produced by the idea of the Soldier-laborer, a splendid image of Napoleon and his heroes, which afterwards made its appearance on the stage in vaudevilles. That idea, however, obtained a national subscription; and we still find, in the depths of the provinces, old wall-papers which bear the effigy of the Soldier-laborer. If this young man had not been Giroudeau's nephew, Philippe would have boxed his ears.
"Yes, I was taken in by it; I lost my time, and twelve thousand francs to boot," answered Philippe, trying to force a grin.
"You are still fond of the Emperor?" asked Finot.
"He is my god," answered Philippe Bridau.
"You are a Liberal?"
"I shall always belong to the Constitutional Opposition. Oh Foy! oh Manuel! oh Laffitte! what men they are! They'll rid us of these others,--these wretches, who came back to France at the heels of the enemy."
