登陆注册
5384300000142

第142章

Many men can never grow used to standing beside a cannon when it is fired off, although they perfectly know that there is danger neither for themselves nor for others -- the bare sound is too much for them."

Imagine two steel knife-blades with their keen edges crossing each other at right angles, and moving to and fro.Our whole nervous organization is 'on-edge ' at the thought; and yet what emotion can be there except the unpleasant nervous feeling itself, or the dread that more of it may come? The entire fund and capital of the emotion here is the senseless bodily effect which the blades immediately arouse.This case is typical of a class: where an ideal emotion seems to precede the bodily symptoms, it is often nothing but an anticipation of the symptoms themselves.One who has already fainted at the sight of blood may witness the preparations for a surgical operation with uncontrollable heart-sinking and anxiety.

He anticipates certain feelings, and the anticipation precipitates their arrival.In cases of morbid terror the subjects often confess that what possesses them seems, more than anything, to be fear of the fear itself.

In the various forms of what Professor Pain calls 'tender emotion,' although the appropriate object must usually be directly contemplated before the emotion can be aroused, yet sometimes thinking of the symptoms of the emotion itself may have the same effect.In sentimental natures the thought of 'yearning' will produce real 'yearning.' And, not to speak of coarser examples, a mother's imagination of the caresses she bestows on her child may arouse a spasm of parental longing.

In such cases as these we see plainly how the emotion both begins and ends with what we call its effects or manifestations.It has no mental status except as either the vivid feeling of the manifestations, or the idea of them; and the latter thus constitute its entire material, and sum and substance.And these cases ought to make us see how in all cases the feeling of the manifestations may play a much deeper part in the constitution of the emotion than we are wont to suppose.

The best proof that the immediate cause of emotion is a physical effect on the nerves is furnished by those pathological cases in which the emotion is objectless.One of the chief merits, in fact, of the view which I propose seems to be that we can so easily formulate by its means patho- logical cases and normal cases under a common scheme.

In every asylum we find examples of absolutely unmotived fear, anger, melancholy, or conceit; and others of an equally unmotived apathy which persists in spite of the best of outward reasons why it should give way.In the former cases we must suppose the nervous machinery to be so 'labile' in some one emotional direction that almost every stimulus (however inappropriate)

causes it to upset in that way, and to engender the particular complex of feelings of which the psychic body of the emotion consists.Thus, to take one special instance, if inability to draw deep breath, fluttering of the heart, and that peculiar epigastric change felt as 'precordial anxiety,'

with an irresistible tendency to take a somewhat crouching attitude and to sit still, and with perhaps other visceral processes not now known, all spontaneously occur together in a certain person; his feeling of their combination is the emotion of dread, and he is the victim of what is known as morbid fear.A friend who has had occasional attacks of this most distressing of all maladies tells me that in his case the whole drama seems to centre about the region of the heart and respiratory apparatus, that his main effort during the attacks is to get control of his inspirations and to slow his heart, and that the moment he attains to breathing deeply and to holding himself erect, the dread, ipso facto , seems to depart.

The emotion here is nothing but the feeling of a bodily state, and it has a purely bodily cause.

"All physicians who have been much engaged in general practice have seen cases of dyspepsia in which constant low spirits and occasional attacks of terror rendered the patient's condition pitiable in the extreme.

I have observed these cases often, and have watched them closely, and I

have never seen greater suffering of any kind than I have witnessed during these attacks....Thus, a man is suffering from what we call nervous dyspepsia.Some day, we will suppose in the middle of the afternoon, without any warning or visible cause, one of these attacks of terror comes on.

The first thing the man feels is great but vague discomfort.Then he notices that his heart is beating much too violently.At the same time shocks or flashes as of electrical discharges, so violent as to be almost painful, pass one after another through his body and limbs.Then in a few minutes he falls into a condition of the most intense fear.He is not afraid of anything; he is simply afraid.His mind is perfectly clear.He looks for a cause his wretched condition, but sees none.Presently his terror is such that he trembles violently and utters low moans; his body is damp with perspiration; his mouth is perfectly dry; and at this stage there are no tears in his eyes, though his suffering is intense.When the climax of the attack is reached and passed, there is a copious flow of tears, or else a mental condition in which the person weeps upon the least provocation.

At this stage a large quantity of pale urine is passed.Then the heart's action becomes again normal, and the attack passes off."

Again:

同类推荐
  • 贤识录

    贤识录

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 灵宝六丁秘法

    灵宝六丁秘法

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 圭峰集

    圭峰集

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 大乘起信论义疏

    大乘起信论义疏

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 数术记遗

    数术记遗

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
热门推荐
  • 苦吟寒士贾岛传

    苦吟寒士贾岛传

    这是一部文学传记,而非学术性传记,但其中贾岛的生平大事都有所本,与贾岛有关的人物也多系真人。当然,作为历史人物传记,小说的情节不可能曲折离奇跌宕起伏,甚至许多方面还存在着推理性的叙述。我不敢说,书中的贾岛和中唐大诗人贾岛不差分毫,但他至少是我心目中的贾岛。我曾向一位前辈讨教,他说,“《三国演义》与《三国志》的区别,前者是小说,后者是史志。你既然是写小说,有些事就不要再去顾虑。”我听后为自己的胆大妄为感到安慰,也去了好多顾虑。
  • 猎物者

    猎物者

    不务正业的猎人,他是猎人界的另类传说,被迫当起“恶魔奶爸”;洁癖的半犀族长老,他是自然界风之主人,甘愿沦为“超级奶妈”;个性怪怪的千年玄狐,她是狐族单传精灵,化身客串“妩媚阿姨”;最诡异特别的婴儿,竟是非人界万众期盼的新一代王者!
  • 当说者被说的时候:比较叙述学导论

    当说者被说的时候:比较叙述学导论

    在叙述中,说者先要被说,然后才能说。主要靠主体意识回向自身才能出现。《当说者被说的时候(比较叙述学导论)》由赵毅衡所著,本书介绍了叙述行为、叙述主体、叙述层次、叙述时间、叙述方位、叙述中的语言行为、情节、叙述形式的意义等内容,深入浅出、通俗易懂,可供读者阅读学习。
  • 萌妻来袭:老公,抱一抱

    萌妻来袭:老公,抱一抱

    他是全国最强势的总裁,宠她入骨,唯一让他抓狂的就是,小妻子总是想要逃跑!她设计怀了他的宝宝,最后携子潜逃。他几乎翻遍整个A市,都没有找到她。谁知,五年后,她携子归来,却对他爱理不理,身边的桃花竟开到家门口。而她却不怕死的,一逃再逃,偷了他的心,竟然还要跟着别人跑?
  • 萌妻反击战,国民男神请走开

    萌妻反击战,国民男神请走开

    段家少奶奶要休夫,一时间成S市的爆炸新闻。人人羡慕她的锦鲤体质,开挂人生,却不知开挂太多迟早会挂掉。“段总,少奶奶闹绝食!”“粤菜鲁菜淮扬菜,法餐意餐日本料理轮着来,她不吃你们就端着谁也不许放下。”“段总,少奶奶要跳楼!”“那就气垫蹦床全铺满,挨着别墅挖出十米宽的标准水池,让她随便跳。”段晨曦最不怕的就是威胁与挑战。“大魔王,你到底要怎样才肯放过我?”她欲哭无泪。“你是我必须坚守的阵地,我不会放弃。”“你太霸道了!你不可以这么对待我!”她忍无可忍。“对不起,只因为,你是我一见钟情的人。”
  • 金手(怀旧童书馆·怀旧童年)

    金手(怀旧童书馆·怀旧童年)

    《金手》一书由原来的《金手》和《拔萝卜》两小书组成。《金手》以书中其中一篇文章名为书名,也做了新版的(两小书组合版)书名。《金手》一书分为2个小故事“金手”和“费多拉的悲哀”,是著名作家丰一吟为建国初的小朋友们翻译的苏联民间故事选集中的两则故事,它讲述了在草原上,一个牧畜的老人,膝下有一个美貌无双的女儿,女儿提出要嫁给在这个世界上最富有同时又是最贫穷的人。
  • 末世之恶雾迷途

    末世之恶雾迷途

    要修仙?没有,要进化?没有,要霸图伟业?也没有。故事追求的就是真实,一场暗藏杀机的浓雾,将整个世界笼罩在死亡之中,一群侥幸活下来的普通人,没有超能力,没有进化,更没有黑科技。就是在真实的末日中挣扎着活下去,谁能看到明天的太阳?只有到了明天才知道。
  • 总裁夺心,专宠二婚新娘

    总裁夺心,专宠二婚新娘

    有人说:没有撬不动的墙角,只有不努力的小三。我家女房客是一个优秀的小三,成功勾走了我憨厚的老公,摆平了老公乖张的姐姐,也收服了一向嚣张的婆婆。在这种情况下,我毅然决然的离开了老公,奔向我的新生活...这个帅气的总裁,视我为珍宝般,从此我就真的能过上幸福生活么?
  • 脉诀乳海

    脉诀乳海

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 你唱歌来我演戏

    你唱歌来我演戏

    自从开始地下情后,方梓默房间门铃总会在深夜响起。不会演戏的男歌手vs不会唱歌的女演员;男主每天都算卦,卦象都是大凶!