After 1830 Beauvisage sold his business in hosiery to Jean Violette, one of his agents (grandson of one of the chief witnesses for the prosecution in the Simeuse trial), the proceeds of which amounted to three hundred thousand francs.Monsieur and Madame Beauvisage had also in prospect their double inheritance from old Grevin on one side, and the old farmer's wife Beauvisage on the other.Great provincial fortunes are usually the product of time multiplied by economy.Thirty years of old age make capital.
In giving to Cecile-Renee a dot of fifty thousand francs a year, her parents still reserved for themselves the two inheritances, thirty thousand a year on the Grand Livre, and their house in Arcis.
If the Marquise de Cinq-Cygne were only dead, Cecile might assuredly marry the young marquis; but the health of that great lady, who was still vigorous and almost beautiful at sixty years of age, precluded all hope of such a marriage if it even entered the minds of Grevin and his daughter, as some persons, surprised at their rejection of eligible suitors like the sub-prefect and the procureur-du-roi, declared that it did.
The Beauvisage residence, one of the best in Arcis, stands on the Place du Pont on a line with the rue Vide-Bourse, at the corner of the rue du Pont, which leads to the Place de l'Eglise.Though, like many provincial houses, without either court or garden, it produces a certain effect, in spite of its ornamentation in bad taste.The front door opens on the Place; the windows of the ground-floor look out on the street-side towards the post-house and inn, and command beyond the Place a rather picturesque view of the Aube, the navigation of which begins at the bridge.Beyond the bridge is another little Place or square, on which lives Monsieur Grevin, and from which the high-road to Sezanne starts.
On the street and on the square, the Beauvisage house, painted a spotless white, looks as though built of stone.The height of the windows and their external mouldings contribute to give a certain style to the house which contrasts strongly with the generally forlorn appearance of the houses of Arcis, constructed, as we have already said, of wood, and covered with plaster, imitating the solidity of stone.Still, these houses are not without a certain originality, through the fact that each architect, or each burgher, has endeavored to solve for himself the problem of styles of building.
The bridge at Arcis is of wood.About four hundred feet above the bridge the river is crossed by another bridge, on which rise the tall wooden sides of a mill with several sluices.The space between the public bridge and this private bridge forms a basin, on the banks of which are several large houses.By an opening between the roofs can be seen the height on which stands the chateau of Arcis with its park and gardens, its outer walls and trees which overhand the river above the bridges, and the rather scanty pastures of the left bank.
The sound of the water as it runs through the courses above the dam, the music of the wheels, from which the churned water falls back into the basin in sparkling cascades, animate the rue du Pont, contrasting in this respect with the tranquillity of the river flowing downward between the garden of Monsieur Grevin, whose house is at one angle of the bridge on the left bank, and the port where the boats and barges discharge their merchandise before a line of poor but picturesque houses.
Nothing can better express provincial life than the deep silence that envelops the little town and reigns in its busiest region.It is easy to imagine, therefore, how disquieting the presence of a stranger, if he only spends half a day there, may be to the inhabitants; with what attention faces protrude from the windows to observe him, and also the condition of espial in which all the residents of the little place stand to each other.Life has there become so conventional that, except on Sundays and fete-days, a stranger meets no one either on the boulevards or the Avenue of Sighs, not even, in fact, upon the streets.
It will now be readily understood why the ground-floor of the Beauvisage house is on a level with the street and square.The square serves as its courtyard.Sitting at his window the eyes of the late hosier could take in the whole of the Place de l'Eglise, the two squares of the bridge, and the road to Sezanne.He could see the coaches arriving and the travellers descending at the post-inn; and on court days he could watch the proceedings around the offices of the mayor and the justice of peace.For these reasons, Beauvisage would not have exchanged his house for the chateau, in spite of its lordly air, its stone walls, and its splendid situation.
