登陆注册
5362800000232

第232章

1. Osiris a Corn-god.

THE FOREGOING survey of the myth and ritual of Osiris may suffice to prove that in one of his aspects the god was a personification of the corn, which may be said to die and come to life again every year. Through all the pomp and glamour with which in later times the priests had invested his worship, the conception of him as the corn-god comes clearly out in the festival of his death and resurrection, which was celebrated in the month of Khoiak and at a later period in the month of Athyr. That festival appears to have been essentially a festival of sowing, which properly fell at the time when the husbandman actually committed the seed to the earth. On that occasion an effigy of the corn-god, moulded of earth and corn, was buried with funeral rites in the ground in order that, dying there, he might come to life again with the new crops. The ceremony was, in fact, a charm to ensure the growth of the corn by sympathetic magic, and we may conjecture that as such it was practised in a simple form by every Egyptian farmer on his fields long before it was adopted and transfigured by the priests in the stately ritual of the temple. In the modern, but doubtless ancient, Arab custom of burying the Old Man, namely, a sheaf of wheat, in the harvest-field and praying that he may return from the dead, we see the germ out of which the worship of the corn-god Osiris was probably developed.

The details of his myth fit in well with this interpretation of the god.

He was said to be the offspring of Sky and Earth. What more appropriate parentage could be invented for the corn which springs from the ground that has been fertilised by the water of heaven? It is true that the land of Egypt owed its fertility directly to the Nile and not to showers; but the inhabitants must have known or guessed that the great river in its turn was fed by the rains which fell in the far interior. Again, the legend that Osiris was the first to teach men the use of corn would be most naturally told of the corn-god himself. Further, the story that his mangled remains were scattered up and down the land and buried in different places may be a mythical way of expressing either the sowing or the winnowing of the grain. The latter interpretation is supported by the tale that Isis placed the severed limbs of Osiris on a corn-sieve. Or more probably the legend may be a reminiscence of a custom of slaying a human victim, perhaps a representative of the corn-spirit, and distributing his flesh or scattering his ashes over the fields to fertilise them. In modern Europe the figure of Death is sometimes torn in pieces, and the fragments are then buried in the ground to make the crops grow well, and in other parts of the world human victims are treated in the same way. With regard to the ancient Egyptians we have it on the authority of Manetho that they used to burn red-haired men and scatter their ashes with winnowing fans, and it is highly significant that this barbarous sacrifice was offered by the kings at the grave of Osiris. We may conjecture that the victims represented Osiris himself, who was annually slain, dismembered, and buried in their persons that he might quicken the seed in the earth.

Possibly in prehistoric times the kings themselves played the part of the god and were slain and dismembered in that character. Set as well as Osiris is said to have been torn in pieces after a reign of eighteen days, which was commemorated by an annual festival of the same length. According to one story Romulus, the first king of Rome, was cut in pieces by the senators, who buried the fragments of him in the ground; and the traditional day of his death, the seventh of July, was celebrated with certain curious rites, which were apparently connected with the artificial fertilisation of the fig. Again, Greek legend told how Pentheus, king of Thebes, and Lycurgus, king of the Thracian Edonians, opposed the vine-god Dionysus, and how the impious monarchs were rent in pieces, the one by the frenzied Bacchanals, the other by horses.

The Greek traditions may well be distorted reminiscences of a custom of sacrificing human beings, and especially divine kings, in the character of Dionysus, a god who resembled Osiris in many points and was said like him to have been torn limb from limb. We are told that in Chios men were rent in pieces as a sacrifice to Dionysus; and since they died the same death as their god, it is reasonable to suppose that they personated him. The story that the Thracian Orpheus was similarly torn limb from limb by the Bacchanals seems to indicate that he too perished in the character of the god whose death he died.

It is significant that the Thracian Lycurgus, king of the Edonians, is said to have been put to death in order that the ground, which had ceased to be fruitful, might regain its fertility.

Further, we read of a Norwegian king, Halfdan the Black, whose body was cut up and buried in different parts of his kingdom for the sake of ensuring the fruitfulness of the earth. He is said to have been drowned at the age of forty through the breaking of the ice in spring. What followed his death is thus related by the old Norse historian Snorri Sturluson: He had been the most prosperous (literally, blessed with abundance) of all kings. So greatly did men value him that when the news came that he was dead and his body removed to Hringariki and intended for burial there, the chief men from Raumariki and Westfold and Heithm?rk came and all requested that they might take his body with them and bury it in their various provinces; they thought that it would bring abundance to those who obtained it. Eventually it was settled that the body was distributed in four places. The head was laid in a barrow at Steinn in Hringariki, and each party took away their own share and buried it. All these barrows are called Halfdan's barrows. It should be remembered that this Halfdan belonged to the family of the Ynglings, who traced their descent from Frey, the great Scandinavian god of fertility.

同类推荐
  • 太上三十六尊经

    太上三十六尊经

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 文殊师利所说般若波罗蜜经

    文殊师利所说般若波罗蜜经

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 竹书孔子诗论

    竹书孔子诗论

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 内丹诀

    内丹诀

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • Rowdy of the Cross L

    Rowdy of the Cross L

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
热门推荐
  • 娱乐圈刑警

    娱乐圈刑警

    写写歌,破破案,工作娱乐两不误。什么?靠脸?不存在的!!!企鹅群:18196194
  • 一梦少年蓝

    一梦少年蓝

    海蓝是一个“小偷”,专偷别人的梦。她生活的十七岁,有长长的海岸线,碧蓝的天空,纯白的电影院,大片大片的勿忘我花田,以及那个奔跑在十七岁的少年……她从偷来的梦中读着外面的世界,为每个被偷梦的人守着他们不能说的秘密。一个杀人犯的到来给宁静的小镇带来了不安,与此同时,他带来的还有海蓝唯一的梦。岁月在指尖无声流淌,兜兜转转,他们终究再次归来。海风、花田,成了他们再也回不去的从前。碧海、蓝天,是他们彼时十七岁的亏欠。这是一段缠绵多年的爱恋!这是一曲安静华美的青春咏叹调!这是一个温暖却有些悲伤的故事!
  • 解码冠军:40位成功人物的智慧碰撞

    解码冠军:40位成功人物的智慧碰撞

    作为2008北京奥运的官方文化活动,“2008奥运·冠军论坛”以其豪华的嘉宾阵容、饱含睿智的思想论辩,吸引了世界的目光。《解码冠军:40位成功人物的智慧碰撞》将带给你对这场人文盛典最具现场感的全景式记录。论坛围绕“什么造就了冠军”的主题加以展开,既注重对各界精英的成功历程进行回顾与总结,同时也为怀有冠军理想的青年们指点道路,启迪他们不断地超越自我,寻求卓越。在当下这个尊重个性与选择的时代,冠军论坛揭示出“每个人都可能成为冠军”这一核心理念。对于每一个志向远大的逐梦者而言,阅读《解码冠军:40位成功人物的智慧碰撞》,既是—次深刻的思想洗礼与震撼,也将是梦想与激情的重新启程。
  • 冰川王朝

    冰川王朝

    十万年后,冰川降临的世界,九大文明各擅胜场,同台竞技。继承往圣先贤的绝学,开创一个新的文明纪元。苍茫世界,谁将笑到最后?落阳天下,谁将主宰沉浮?然而若能一生逍遥,谁愿挑起大梁?若能永为凡人,谁愿做英雄豪杰?凭君莫话封侯事,一将功成万骨枯。因此这也是一部众生皆苦的故事。
  • 伪战神成长手册

    伪战神成长手册

    新书《末世之锦鲤是条战五渣》已开文。遥想当年,所谓联盟战神…还是个只认得营养液的可怜娃。而如今…羽堂堂看了一眼厨房里忙得不亦乐乎的某人,不由长叹一口气:星际万千噬人凶兽突遭灭顶之灾时,一定想不到只是因为某人饿了吧?另有完结作品《大妖寻夫指南》《凶灵偷渡师》嗷嗷待哺哦~
  • 最强齐天大圣

    最强齐天大圣

    被割断手筋脚筋,绝望之际,融合齐天大圣孙悟空的记忆。从此逆天崛起,一发不可收拾。非洲某军阀:我想再活五百年,您看……某将士:米国的万磁王太嚣张了,又毁了我们200颗人造卫星,您不管管吗?PS:推荐本书《从今天开始捡属性》,巨龙泰坦奇幻文,喜欢的朋友可以去瞅瞅!
  • 舍头谏太子二十八宿经

    舍头谏太子二十八宿经

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 疗养(中国好小说)

    疗养(中国好小说)

    本文主要描写的是一群搞文艺创作的男女借疗养之际,一边畅谈自己的文学思想和创作之路,一边各自寻找自己的情感的宣泄之处。男主角经过一段时间的接触,喜欢上了一个跟着来的女人。两人的故事发展水到渠成,当然也有旁人的热情相助。
  • 土地神这职业

    土地神这职业

    林逸很头疼的看着这个自称城隍的人,听着这人告诉他,不做土地,他活不过三十岁。林逸数了数自己的年龄,嗯,明年就三十了,就算知道土地神这个职位是个坑,他也会跳进去。但想法很美好,现实太过于骨感,他即将拥有的土地上,只剩村落三两个,五十岁以上的老人四五十来位。十二岁以下孩子十个,年轻劳动力为零。好像,做一个合格的土地神,有点绝望?!林逸:给我一块地,我能种出整个灵气复苏时代!!!
  • 佛说大方广曼殊室利经

    佛说大方广曼殊室利经

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。