"Well, study. Don't be worse than others at school. Although, I'll tell you, even if there were twenty-five classes in your school, they could never teach you there anything save reading, writing and arithmetic. You may also learn some naughty things, but God protect you! I shall give you a terrible spanking if you do. If you smoke tobacco I'll cut your lips off.""Remember God, Fomushka," said the aunt. "See that you don't forget our Lord.""That's true! Honour God and your father. But I wish to tell you that school books are but a trivial matter. You need these as a carpenter needs an adze and a pointer. They are tools, but the tools cannot teach you how to make use of them. Understand? Let us see: Suppose an adze were handed to a carpenter for him to square a beam with it. It's not enough to have hands and an adze;it is also necessary for him to know how to strike the wood so as not to hit his foot instead. To you the knowledge of reading and writing is given, and you must regulate your life with it. Thus it follows that books alone are but a trifle in this matter; it is necessary to be able to take advantage of them. And it is this ability that is more cunning than any books, and yet nothing about it is written in the books. This, Foma, you must learn from Life itself. A book is a dead thing, you may take it as you please, you may tear it, break it--it will not cry out. While should you but make a single wrong step in life, or wrongly occupy a place in it, Life will start to bawl at you in a thousand voices; it will deal you a blow, felling you to the ground."Foma, his elbows leaning on the table, attentively listened to his father, and under the sound of his powerful voice he pictured to himself now the carpenter squaring a beam, now himself, his hands outstretched, carefully and stealthily approaching some colossal and living thing, and desiring to grasp that terrible something.
"A man must preserve himself for his work and must be thoroughly acquainted with the road to it. A man, dear, is like the pilot on a ship. In youth, as at high tide, go straight! A way is open to you everywhere. But you must know when it is time to steer. The waters recede--here you see a sandbank, there, a rock; it is necessary to know all this and to slip off in time, in order to reach the harbour safe and sound.""I will reach it!" said the boy, looking at his father proudly and with confidence.
"Eh? You speak courageously!" Ignat burst into laughter. And the aunt also began to laugh kindly.
Since his trip with his father on the Volga, Foma became more lively and talkative at home, with his father, with his aunt and with Mayakin. But on the street, in a new place, or in the presence of strangers, he was always gloomy, always looking about him with suspicion, as though he felt something hostile to him everywhere, something hidden from him spying on him.
At nights he sometimes awoke of a sudden and listened for a long time to the silence about him, fixedly staring into the dark with wide-open eyes. And then his father's stories were transformed before him into images and pictures. Without being aware of it, he mixed up those stories with his aunt's fairy-tales, thus creating for himself a chaos of adventures wherein the bright colours of fantasy were whimsically intertwined with the stern shades of reality. This resulted in something colossal, incomprehensible; the boy closed his eyes and drove it all away from him and tried to check the play of his imagination, which frightened him. In vain he attempted to fall asleep, and the chamber became more and more crowded with dark images. Then he quietly roused his aunt.
"Auntie! Auntie!"
"What? Christ be with you."
"I'll come to you," whispered Foma.
"Why? Sleep, darling, sleep."
"I am afraid," confessed the boy.
"You better say to yourself, 'And the Lord will rise again,' then you won't be afraid."Foma lies with his eyes open and says the prayer. The silence of the night pictures itself before him in the form of an endless expanse of perfectly calm, dark water, which has overflowed everything and congealed; there is not a ripple on it, not a shadow of a motion, and neither is there anything within it, although it is bottomlessly deep. It is very terrible for one to look down from the dark at this dead water. But now the sound of the night watchman's mallet is heard, and the boy sees that the surface of the water is beginning to tremble, and, covering the surface with ripples, light little balls are dancing upon it. The sound of the bell on the steeple, with one mighty swing, brings all the water in agitation and it is slightly trembling from that sound; a big spot of light is also trembling, spreading light upon the water, radiating from its centre into the dark distance, there growing paler and dying out. Again there is weary and deathlike repose in this dark desert.
"Auntie," whispers Foma, beseechingly.
"Dearest?"
"I am coming to you."
"Come, then, come, my darling."
Going over into auntie's bed, he presses close to her, begging:
"Tell me something."
"At night?" protests auntie, sleepily.
"Please."
He does not have to ask her long. Yawning, her eyes closed, the old woman begins slowly in a voice grown heavy with sleep:
"Well, my dear sir, in a certain kingdom, in a certain empire, there lived a man and his wife, and they were very poor. They were so unfortunate that they had nothing to eat. They would go around begging, somebody would give them a crust of stale bread and that would keep them for awhile. And it came to pass that the wife begot a child--a child was born--it was necessary to christen it, but, being poor, they could not entertain the godparents and the guests, so nobody came to christen the child.
