Much light shatters much loveliness; but a pretty girl who looks pretty outdoors on a dazzling hot summer morning is prettier then than ever. Cora knew it; of course she knew it; she knew exactly how she looked, as she left the concrete bridge behind her at the upper end of Corliss Street and turned into a shrub-bordered bypath of the river park. In imagination she stood at the turn of the path just ahead, watching her own approach: she saw herself as a picture--the white-domed parasol, with its cheerful pale-green lining, a background for her white hat, her corn-silk hair, and her delicately flushed face. She saw her pale, live arms through their thin sleeves, and the light grasp of her gloved fingers upon the glistening stick of the parasol; she saw the long, simple lines of her close white dress and their graceful interchanging movements with the alternate advance of her white shoes over the fine gravel path; she saw the dazzling splashes of sunshine playing upon her through the changeful branches overhead. Cora never lacked a gallery: she sat there herself.
She refreshed the eyes of a respectable burgess of sixty, a person so colourless that no one, after passing him, could have remembered anything about him except that he wore glasses and some sort of moustache; and to Cora's vision he was as near transparent as any man could be, yet she did not miss the almost imperceptible signs of his approval, as they met and continued on their opposite ways. She did not glance round, nor did he pause in his slow walk; neither was she clairvoyant; none the less, she knew that he turned his head and looked back at her.
The path led away from the drives and more public walks of the park, to a low hill, thoughtfully untouched by the gardener and left to the shadowy thickets and good-smelling underbrush of its rich native woodland. And here, by a brown bench, waited a tall gentleman in white.
They touched hands and sat without speaking. For several moments they continued the silence, then turned slowly and looked at each other; then looked slowly and gravely away, as if to an audience in front of them. They knew how to do it; but probably a critic in the first row would have concluded that Cora felt it even more than Valentine Corliss enjoyed it.
"I suppose this is very clandestine," she said, after a deep breath. "I don't think I care, though."
"I hope you do," he smiled, "so that I could think your coming means more."
"Then I'll care," she said, and looked at him again.
"You dear!" he exclaimed deliberately.
She bit her lip and looked down, but not before he had seen the quick dilation of her ardent eyes. "I wanted to be out of doors," she said. "I'm afraid there's one thing of yours I don't like, Mr. Corliss."
"I'll throw it away, then. Tell me."
"Your house. I don't like living in it, very much. I'm sorry you CAN'T throw it away."
"I'm thinking of doing that very thing," he laughed. "But I'm glad I found the rose in that queer old waste-basket first."
"Not too much like a rose, sometimes," she said. "I think this morning I'm a little like some of the old doors up on the third floor: I feel rather unhinged, Mr. Corliss."
"You don't look it, Miss Madison!"
"I didn't sleep very well." She bestowed upon him a glance which transmuted her actual explanation into, "I couldn't sleep for thinking of you." It was perfectly definite; but the acute gentleman laughed genially.
"Go on with you!" he said.
Her eyes sparkled, and she joined laughter with him. "But it's true: you did keep me awake. Besides, I had a serenade."
"Serenade? I had an idea they didn't do that any more over here. I remember the young men going about at night with an orchestra sometimes when I was a boy, but I supposed----"
"Oh, it wasn't much like that," she interrupted, carelessly.
"I don't think that sort of thing has been done for years and years. It wasn't an orchestra--just a man singing under my window."
"With a guitar?"
"No." She laughed a little. "Just singing."
"But it rained last night," said Corliss, puzzled.
"Oh, HE wouldn't mind that!"
"How stupid of me! Of course, he wouldn't.
Was it Richard Lindley?"
"Never!"
"I see. Yes, that was a bad guess: I'm sure Lindley's just the same steady-going, sober, plodding old horse he was as a boy.
His picture doesn't fit a romantic frame--singing under a lady's window in a thunderstorm! Your serenader must have been very young.'
"He is," said Cora. "I suppose he's about twenty-three; just a boy--and a very annoying one, too!"
Her companion looked at her narrowly. "By any chance, is he the person your little brother seemed so fond of mentioning--Mr. Vilas?"
Cora gave a genuine start. "Good heavens! What makes you think that?" she cried, but she was sufficiently disconcerted to confirm his amused suspicion.
"So it was Mr. Vilas," he said. "He's one of the jilted, of course."
"Oh, `jilted'!" she exclaimed. "All the wild boys that a girl can't make herself like aren't `jilted,' are they?"
"I believe I should say--yes," he returned. "Yes, in this instance, just about all of them."
"Is every woman a target for you, Mr. Corliss? I suppose you know that you have a most uncomfortable way of shooting up the landscape." She stirred uneasily, and moved away from him to the other end of the bench.
"I didn't miss that time," he laughed. "Don't you ever miss?"
He leaned quickly toward her and answered in a low voice:
"You can be sure I'm not going to miss anything about YOU."
It was as if his bending near her had been to rouge her. But it cannot be said that she disliked his effect upon her; for the deep breath she drew in audibly, through her shut teeth, was a signal of delight; and then followed one of those fraught silences not uncharacteristic of dialogues with Cora.
Presently, she gracefully and uselessly smoothed her hair from the left temple with the backs of her fingers, of course finishing the gesture prettily by tucking in a hairpin tighter above the nape of her neck. Then, with recovered coolness, she asked:
