Daylight View of the Man WHEN I put out my candle that night, I made a mistake--I trusted entirely to myself to wake in good time in the morning. I ought to have told Zillah to call me.
Hours passed before I could close my eyes. It was broken rest when it came, until the day dawned. Then I fell asleep at last in good earnest.
When I woke, and looked at my watch, I was amazed to find that it was ten o'clock.
I jumped out of bed, and rang for the old nurse. Was Lucilla at home? No: she had gone out for a little walk. By herself? Yes--by herself. In what direction? Up the valley, towards Browndown.
I instantly arrived at my own conclusion.
She had got the start of me--thanks to my laziness in sleeping away the precious hours of the morning in bed. The one thing to do, was to follow her as speedily as possible. In half an hour more, _I_ was out for a little walk by myself--and (what do you think?) _my_ direction also was up the valley, towards Browndown.
A pastoral solitude reigned round the lonely little house. I went on beyond it, into the next winding of the valley. Not a human creature was to be seen. I returned to Browndown to reconnoiter. Ascending the rising ground on which the house was built, I approached it from the back. The windows were all open. I listened. (Do you suppose I felt scruples in such an emergency as this? Oh, pooh! pooh! who but a fool would have felt anything of the sort!) I listened with both my ears. Through a window at the side of the house, I heard the sound of voices. Advancing noiselessly on the turf, I heard the voice of Dubourg. He was answered by a woman.
Aha, I had caught her. Lucilla herself!
"Wonderful!" I heard him say. "I believe you have eyes in the ends of your fingers. Take this, now--and try if you can tell me what it is."
"A little vase," she answered--speaking, I give you my word of honor, as composedly as if she had known him for years. "Wait! what metal is it?
Silver? No. Gold. Did you really make this yourself as well as the box?"
"Yes. It is an odd taste of mine--isn't it?--to be fond of chasing in gold and silver. Years ago I met with a man in Italy, who taught me. It amused me, then--and it amuses me now. When I was recovering from an illness last spring, I shaped that vase out of the plain metal, and made the ornaments on it."
"Another mystery revealed!" she exclaimed. "Now I know what you wanted with those gold and silver plates that came to you from London. Are you aware of what a character you have got here? There are some of us who suspect you of coining false money!"
They both burst out laughing as gaily as a couple of children. I declare I wished myself one of the party! But no. I had my duty to do as a respectable woman. My duty was to steal a little nearer, and see if any familiarities were passing between these two merry young people. One half of the open window was sheltered, on the outer side, by a Venetian blind.
I stood behind the blind, and peeped in. (Duty! oh, dear me, painful, but necessary duty!) Dubourg was sitting with his back to the window. Lucilla faced me opposite to him. Her cheeks were flushed with pleasure. She held in her lap a pretty little golden vase. Her clever fingers were passing over it rapidly, exactly as they had passed, the previous evening, over my face.
"Shall I tell you what the pattern is on your vase?" she went on.
"Can you really do that?"
"You shall judge for yourself. The pattern is made of leaves, with birds placed among them, at intervals. Stop! I think I have felt leaves like these on the old side of the rectory, against the wall. Ivy?"
"Amazing! it _is_ ivy."
"The birds," she resumed. "I shan't be satisfied till I have told you what the birds are. Haven't I got silver birds like them--only much larger--for holding pepper, and mustard, and sugar, and so on. Owls!" she exclaimed, with a cry of triumph. "Little owls, sitting in ivy-nests.
What a delightful pattern! I never heard of anything like it before."
"Keep the vase!" he said. "You will honor me, you will delight me, if you will keep the vase."
She rose and shook her head--without giving him back the vase, however.
"I might take it, if you were not a stranger," she said. "Why don't you tell us who you are, and what your reason is for living all by yourself in this dull place?"
He stood before her, with his head down, and sighed bitterly.
"I know I ought to explain myself," he answered. "I can't be surprised if people are suspicious of me." He paused, and added very earnestly, "I can't tell it to _you._ Oh, no--not to _you!"
"Why not?"
"Don't ask me!"
She felt for the table, with her ivory cane, and put the vase down on it--very unwillingly.
"Good morning, Mr. Dubourg," she said.
He opened the door of the room for her in silence. Waiting close against the side of the house, I saw them appear under the porch, and cross the little walled enclosure in front. As she stepped out on the open turf beyond, she turned, and spoke to him again.
"If you won't tell _me_ your secret," she said, "will you tell it to some one else? Will you tell it to a friend of mine?"
"To what friend?" he asked.
"To the lady whom you met with me last night."
He hesitated. "I am afraid I offended the lady," he said.
"So much the more reason for your explaining yourself," she rejoined. "If you will only satisfy _her,_ I might ask you to come and see us--I might even take the vase." With that strong hint, she actually gave him her hand at parting. Her perfect self-possession, her easy familiarity with this stranger--so bold, and yet so innocent--petrified me. "I shall send my friend to you this morning," she said imperiously, striking her cane on the turf. "I insist on your telling her the whole truth."
With that, she signed to him that he was to follow her no farther, and went her way back to the village.
Does it not surprise you, as it surprised me? Instead of her blindness making her nervous in the presence of a man unknown to her, it appeared to have exactly the contrary effect. It made her fearless.
