"I don't know how it is quite," she murmured. "'When the red man laughs by his cedar tree, and the red man's babe leaps beyond the sea'--something like that. But I know that it made my heart beat, and that I felt as if I had wings and were spreading them to fly away to the most remote places of the earth. And now I have spread my wings, and-- it's glorious. Come, Boris!"
They put their horses to a canter, and soon drew near to the caravans.
They had sent Batouch and Ali, who generally accompanied them, on with the rest of the camp. Both had many friends in Amara, and were eager to be there. It was obvious that they and all the attendants, servants and camel-men, thought of it as the provincial Frenchman thinks of Paris, as a place of all worldly wonders and delights. Batouch was to meet them at the entrance to the city, and when they had seen the marvels of its market-place was to conduct them to the tents which would be pitched on the sand-hills outside.
Their horses pulled as if they, too, longed for a spell of city life after the life of the wastes, and Domini's excitement grew. She felt vivid animal spirits boiling up within her, the sane and healthy sense that welcomes a big manifestation of the ceaseless enterprise and keen activity of a brotherhood of men. The loaded camels, the half-naked running drivers, the dogs sensitively sniffing, as if enticing smells from the city already reached their nostrils, the chattering desert merchants discussing coming gains, the wealthy and richly-dressed Arabs, mounted on fine horses, and staring with eyes that glittered up the broad track in search of welcoming friends, were sympathetic to her mood. Amara was sucking them all in together from the solitary places as quiet waters are sucked into the turmoils of a mill-race.
Although still out in the sands they were already in the midst of a noise of life flowing to meet the roar of life that rose up at the feet of the minarets, which now looked tall and majestic in the growing beauty of the sunset.
They passed the caravans one by one, and came on to the crest of the long sand slope just as the sky above the city was flushing with a bright geranium red. The track from here was level to the city wall, and was no longer soft with sand. A broad, hard road rang beneath their horses' hoofs, startling them with a music that was like a voice of civilised life. Before them, under the red sky, they saw a dark blue of distant houses, towers, and great round cupolas glittering like gold. Forests of palm trees lay behind, the giant date palms for which Amara was famous. To the left stretched the sands dotted with gleaming Arab villages, to the right again the sands covered with hundreds of tents among which quantities of figures moved lively like ants, black on the yellow, arched by the sky that was alive with lurid colour, red fading into gold, gold into primrose, primrose into green, green into the blue that still told of the fading day. And to this multi-coloured sky, from the barbaric city and the immense sands in which it was set, rose a great chorus of life; voices of men and beasts, cries of naked children playing Cora on the sand-hills, of mothers to straying infants, shrill laughter of unveiled girls wantonly gay, the calls of men, the barking of multitudes of dogs,-- the guard dogs of the nomads that are never silent night or day,--the roaring of hundreds of camels now being unloaded for the night, the gibbering of the mad beggars who roam perpetually on the outskirts of the encampments like wolves seeking what they may devour, the braying of donkeys, the whinnying of horses. And beneath these voices of living things, foundation of their uprising vitality, pulsed barbarous music, the throbbing tomtoms that are for ever heard in the lands of the sun, fetish music that suggests fatalism, and the grand monotony of the enormous spaces, and the crude passion that repeats itself, and the untiring, sultry loves and the untired, sultry languors of the children of the sun.
The silence of the sands, which Domini and Androvsky had known and loved, was merged in the tumult of the sands. The one had been mystical, laying the soul to rest. The other was provocative, calling the soul to wake. At this moment the sands themselves seemed to stir with life and to cry aloud with voices.
"The very sky is barbarous to-night!" Domini exclaimed. "Did you ever see such colour, Boris?"
"Over the minarets it is like a great wound," he answered.
"No wonder men are careless of human life in such a land as this. All the wildness of the world seems to be concentrated here. Amara is like the desert city of some tremendous dream. It looks wicked and unearthly, but how superb!"
"Look at those cupolas!" he said. "Are there really Oriental palaces here? Has Batouch told us the truth for once?"
"Or less than the truth? I could believe anything of Amara at this moment. What hundreds of camels! They remind me of Arba, our first halting-place." She looked at him and he at her.
"How long ago that seems!" she said.
"A thousand years ago."
They both had a memory of a great silence, in the midst of this growing tumult in which the sky seemed now to take its part, calling with the voices of its fierce colours, with the voices of the fires that burdened it in the west.
"Silence joined us, Domini," Androvsky said.
"Yes. Perhaps silence is the most beautiful voice in the world."
Far off, along the great white road, they saw two horsemen galloping to meet them from the city, one dressed in brilliant saffron yellow, the other in the palest blue, both crowned with large and snowy turbans.
"Who can they be?" said Domini, as they drew near. "They look like two princes of the Sahara."
Then she broke into a merry laugh.
"Batouch! and Ali!" she exclaimed.
The servants galloped up then, without slackening speed deftly wheeled their horses in a narrow circle, and were beside them, going with them, one on the right hand, the other on the left.
