The child looked reassured.
"Yes, Father."
He came into the sacristy and went towards the cupboard where the vestments were kept, passing the silver crucifix. As he did so he glanced at it. He opened the cupboard, then stood for a moment and again turned his eyes to the Christ. The Father watched him.
"What are you looking at, Paul?" he asked.
"Nothing, Father," the boy replied, with a sudden expression of reluctance that was almost obstinate.
And he began to take the priest's robes out of the cupboard.
Just then the wind wailed again furiously about the church, and the crucifix fell down upon the floor of the sacristy.
The priest started forward, picked it up, and stood with it in his hand. He glanced at the wall, and saw at once that the nail to which the crucifix had been fastened had come out of its hole. A flake of plaster had been detached, perhaps some days ago, and the hole had become too large to retain the nail. The explanation of the matter was perfect, simple and comprehensible. Yet the priest felt as if a catastrophe had just taken place. As he stared at the cross he heard a little noise near him. The acolyte was crying.
"Why, Paul, what's the matter?" he said.
"Why did it do that?" exclaimed the boy, as if alarmed. "Why did it do that?"
"Perhaps it was the wind. Everything is shaking. Come, come, my child, there is nothing to be afraid of."
He laid the crucifix on the table. Paul dried his eyes with his fists.
"I don't like to-day," he said. "I don't like to-day."
The priest patted him on the shoulder.
"The weather has upset you," he said, smiling.
But the nervous behaviour of the child deepened strangely his own sense of apprehension. When he had robed he waited for the arrival of the bride and bridegroom. There was to be no mass, and no music except the Wedding March, which the harmonium player, a Marseillais employed in the date-packing trade, insisted on performing to do honour to Mademoiselle Enfilden, who had taken such an interest in the music of the church. Androvsky, as the priest had ascertained, had been brought up in the Catholic religion, but, when questioned, he had said quietly that he was no longer a practising Catholic and that he never went to confession. Under these circumstances it was not possible to have a nuptial mass. The service would be short and plain, and the priest was glad that this was so. Presently the harmonium player came in.
"I may play my loudest to-day, Father," he said, "but no one will hear me."
He laughed, settled the pin--Joan of Arc's face in metal--in his azure blue necktie, and added:
"Nom d'un chien, the wind's a cruel wedding guest!"
The priest nodded without speaking.
"Would you believe, Father," the man continued, "that Mademoiselle and her husband are going to start for Arba from the church door in all this storm! Batouch is getting the palanquin on to the camel. How they will ever--"
"Hush!" said the priest, holding up a warning finger.
This idle chatter displeased him in the church, but he had another reason for wishing to stop the conversation. It renewed his dread to hear of the projected journey, and made him see, as in a shadowy vision, Domini Enfilden's figure disappearing into the windy desolation of the desert protected by the living mystery he hated.
Yes, at this moment, he no longer denied it to himself. There was something in Androvsky that he actually hated with his whole soul, hated even in his church, at the very threshold of the altar where stood the tabernacle containing the sacred Host. As he thoroughly realised this for a moment he was shocked at himself, recoiled mentally from his own feeling. But then something within him seemed to rise up and say, "Perhaps it is because you are near to the Host that you hate this man. Perhaps you are right to hate him when he draws nigh to the body of Christ."
Nevertheless when, some minutes later, he stood within the altar rails and saw the face of Domini, he was conscious of another thought, that came through his mind, dark with doubt, like a ray of gold: "Can I be right in hating what this good woman--this woman whose confession I have received, whose heart I know--can I be right in hating what she loves, in fearing what she trusts, in secretly condemning what she openly enthrones?" And almost in despite of himself he felt reassured for an instant, even happy in the thought of what he was about to do.
Domini's face at all times suggested strength. The mental and emotional power of her were forcibly expressed, too, through her tall and athletic body, which was full of easy grace, but full, too, of well-knit firmness. To-day she looked not unlike a splendid Amazon who could have been a splendid nun had she entered into religion. As she stood there by Androvsky, simply dressed for the wild journey that was before her, the slight hint in her personality of a Spartan youth, that stamped her with a very definite originality, was blended with, even transfigured by, a womanliness so intense as to be almost fierce, a womanliness that had the fervour, the glowing vigour of a glory that had suddenly become fully aware of itself, and of all the deeds that it could not only conceive, but do. She was triumph embodied in the flesh, not the triumph that is a school-bully, but that spreads wings, conscious at last that the human being has kinship with the angels, and need not, should not, wait for death to seek bravely their comradeship. She was love triumphant, woman utterly fearless because instinctively aware that she was fulflling her divine mission.
As he gazed at her the priest had a strange thought--of how Christ's face must have looked when he said, "Lazarus, come forth!"
Androvsky stood by her, but the priest did not look at him.
