War had extended one of its antennae even to the avenue Victor Hugo.
It was a silent war in which the enemy, bland, shapeless and gelatinous, seemed constantly to be escaping from the hands only to renew hostilities a little later on.
"I have Germany in my own house," growled Marcelo Desnoyers.
"Germany" was Dona Elena, the wife of von Hartrott. Why had not her son--that professor of inexhaustible sufficiency whom he now believed to have been a spy--taken her home with him? For what sentimental caprice had she wished to stay with her sister, losing the opportunity of returning to Berlin before the frontiers were closed?
The presence of this woman in his home was the cause of many compunctions and alarms. Fortunately, the chauffeur and all the men-servants were in the army. The two chinas received an order in a threatening tone. They must be very careful when talking to the French maids--not the slightest allusion to the nationality of Dona Elena's husband nor to the residence of her family. Dona Elena was an Argentinian. But in spite of the silence of the maids, Don Marcelo was always in fear of some outburst of exalted patriotism, and that his wife's sister might suddenly find herself confined in a concentration camp under suspicion of having dealings with the enemy.
Frau von Hartrott made his uneasiness worse. Instead of keeping a discreet silence, she was constantly introducing discord into the home with her opinions.
During the first days of the war, she kept herself locked in her room, joining the family only when summoned to the dining room.
With tightly puckered mouth and an absent-minded air, she would then seat herself at the table, pretending not to hear Don Marcelo's verbal outpourings of enthusiasm. He enjoyed describing the departure of the troops, the moving scenes in the streets and at the stations, commenting on events with an optimism sure of the first news of the war. Two things were beyond all discussion. The bayonet was the secret of the French, and the Germans were shuddering with terror before its fatal, glistening point. . . .
The '75 cannon had proved itself a unique jewel, its shots being absolutely sure. He was really feeling sorry for the enemy's artillery since its projectiles so seldom exploded even when well aimed. . . . Furthermore, the French troops had entered victoriously into Alsace; many little towns were already theirs.
"Now it is as it was in the '70's," he would exult, brandishing his fork and waving his napkin. "We are going to kick them back to the other side of the Rhine--kick them! . . . That's the word."
Chichi always agreed gleefully while Dona Elena was raising her eyes to heaven, as though silently calling upon somebody hidden in the ceiling to bear witness to such errors and blasphemies.
The kind Dona Luisa always sought her out afterwards in the retirement of her room, believing it necessary to give sisterly counsel to one living so far from home. The Romantica did not maintain her austere silence before the sister who had always venerated her superior instruction; so now the poor lady was overwhelmed with accounts of the stupendous forces of Germany, enunciated with all the authority of a wife of a great Teutonic patriot, and a mother of an almost celebrated professor. According to her graphic picture, millions of men were now surging forth in enormous streams, thousands of cannons were filing by, and tremendous mortars like monstrous turrets. And towering above all this vast machinery of destruction was a man who alone was worth an army, a being who knew everything and could do everything, handsome, intelligent, and infallible as a god--the Emperor.
"The French just don't know what's ahead of them," declared Dona Elena. "We are going to annihilate them. It is merely a matter of two weeks. Before August is ended, the Emperor will have entered Paris."
Senora Desnoyers was so greatly impressed by these dire prophecies that she could not hide them from her family. Chichi waxed indignant at her mother's credulity and her aunt's Germanism.
Martial fervor was flaming up in the former Peoncito. Ay, if the women could only go to war! . . . She enjoyed picturing herself on horseback in command of a regiment of dragoons, charging the enemy with other Amazons as dashing and buxom as she. Then her fondness for skating would predominate over her tastes for the cavalry, and she would long to be an Alpine hunter, a diable bleu among those who slid on long runners, with musket slung across the back and alpenstock in hand, over the snowy slopes of the Vosges.
But the government did not appreciate the valorous women, and she could obtain no other part in the war but to admire the uniform of her true-love, Rene Lacour, converted into a soldier. The senator's son certainly looked beautiful. He was tall and fair, of a rather feminine type recalling his dead mother. In his fiancee's opinion, Rene was just "a little sugar soldier." At first she had been very proud to walk the streets by the side of this warrior, believing that his uniform had greatly augmented his personal charm, but little by little a revulsion of feeling was clouding her joy. The senatorial prince was nothing but a common soldier. His illustrious father, fearful that the war might cut off forever the dynasty of the Lacours, indispensable to the welfare of the State, had had his son mustered into the auxiliary service of the army. By this arrangement, his heir need not leave Paris, ranking about as high as those who were kneading the bread or mending the soldiers' cloaks.
Only by going to the front could he claim--as a student of the Ecole Centrale--his title of sub-lieutenant in the Artillery Reserves.
"What happiness for me that you have to stay in Paris! How delighted I am that you are just a private! . . ."
