The studio of Julio Desnoyers was on the top floor, both the stairway and the elevator stopping before his door. The two tiny apartments at the back were lighted by an interior court, their only means of communication being the service stairway which went on up to the garrets.
While his comrade was away, Argensola had made the acquaintance of those in the neighboring lodgings. The largest of the apartments was empty during the day, its occupants not returning till after they had taken their evening meal in a restaurant. As both husband and wife were employed outside, they could not remain at home except on holidays. The man, vigorous and of a martial aspect, was superintendent in a big department store. . . . He had been a soldier in Africa, wore a military decoration, and had the rank of sub-lieutenant in the Reserves. She was a blonde, heavy and rather anaemic, with bright eyes and a sentimental expression. On holidays she spent long hours at the piano, playing musical reveries, always the same. At other times Argensola saw her through the interior window working in the kitchen aided by her companion, the two laughing over their clumsiness and inexperience in preparing the Sunday dinner.
The concierge thought that this woman was a German, but she herself said that she was Swiss. She was a cashier in a shop--not the one in which her husband was employed. In the mornings they left home together, separating in the Place d'Etoile. At seven in the evening they met here, greeting each other with a kiss, like lovers who meet for the first time; and then after supper, they returned to their nest in the rue de la Pompe. All Argensola's attempts at friendliness with these neighbors were repulsed because of their self-centredness. They responded with freezing courtesy; they lived only for themselves.
The other apartment of two rooms was occupied by a single man. He was a Russian or Pole who almost always returned with a package of books, and passed many hours writing near the patio window. From the very first the Spaniard took him to be a mysterious man, probably a very distinguished one--a true hero of a novel. The foreign appearance of this Tchernoff made a great impression upon him--his dishevelled beard, and oily locks, his spectacles upon a large nose that seemed deformed by a dagger-thrust. There emanated from him, like an invisible nimbus, an odor of cheap wine and soiled clothing.
When Argensola caught a glimpse of him through the service door he would say to himself, "Ah, Friend Tchernoff is returning," and thereupon he would saunter out to the stairway in order to have a chat with his neighbor. For a long time the stranger discouraged all approach to his quarters, which fact led the Spaniard to infer that he devoted himself to alchemy and kindred mysteries. When he finally was allowed to enter he saw only books, many books, books everywhere--scattered on the floor, heaped upon benches, piled in corners, overflowing on to broken-down chairs, old tables, and a bed that was only made up now and then when the owner, alarmed by the increasing invasion of dust and cobwebs, was obliged to call in the aid of his friend, the concierge.
Argensola finally realized, not without a certain disenchantment, that there was nothing mysterious in the life of the man. What he was writing near the window were merely translations, some of them ordered, others volunteer work for the socialist periodicals. The only marvellous thing about him was the quantity of languages that he knew.
"He knows them all," said the Spaniard, when describing their neighbor to Desnoyers. "He has only to hear of a new one to master it. He holds the key, the secret of all languages, living or dead.
He speaks Castilian as well as we do, and yet he has never been in a Spanish-speaking country."
Argensola again felt a thrill of mystery upon reading the titles of many of the volumes. The majority were old books, many of them in languages that he was not able to decipher, picked up for a song at second-hand shops or on the book stands installed upon the parapets of the Seine. Only a man holding the key of tongues could get together such volumes. An atmosphere of mysticism, of superhuman insight, of secrets intact for many centuries appeared to emanate from these heaps of dusty volumes with worm-eaten leaves. And mixed with these ancient tomes were others red and conspicuous, pamphlets of socialistic propaganda, leaflets in all the languages of Europe and periodicals--many periodicals, with revolutionary titles.
Tchernoff did not appear to enjoy visits and conversation. He would smile enigmatically into his black beard, and was very sparing with his words so as to shorten the interview. But Argensola possessed the means of winning over this sullen personage. It was only necessary for him to wink one eye with the expressive invitation, "Do we go?" and the two would soon be settled on a bench in the kitchen of Desnoyers' studio, opposite a bottle which had come from the avenue Victor Hugo. The costly wines of Don Marcelo made the Russian more communicative, although, in spite of this aid, the Spaniard learned little of his neighbor's real existence. Sometimes he would mention Jaures and other socialistic orators. His surest means of existence was the translation of periodicals or party papers. On various occasions the name of Siberia escaped from his lips, and he admitted that he had been there a long time; but he did not care to talk about a country visited against his will. He would merely smile modestly, showing plainly that he did not wish to make any further revelations.
