登陆注册
5213600000065

第65章

Having the misfortune to treat of none but common people, is necessarily of a mean and vulgar character I N THAT QUARTER OF L ONDON in which Golden Square is situated, there is a bygone, faded, tumble-down street, with two irregular rows of tall meagre houses, which seem to have stared each other out of countenance, years ago. The very chimneys appear to have grown dismal and melancholy, from having had nothing better to look at than the chimneys over the way. Their tops are battered, and broken, and blackened with smoke; and, here and there, some taller stack than the rest, inclining heavily to one side, and toppling over the roof, seems to mediate taking revenge for half a century's neglect, by crushing the inhabitants of the garrests beneath.

The fowls who peck about the kennels, jerking their bodies hither and thither with a gait which none but town fowls are ever seen to adopt, and which any country cock or hen would be puzzled to understand, are perfectly in keeping with the crazy habitations of their owners. Dingy, ill-plumed, drowsy flutterers, sent, like many of the neighbouring children, to get a livelihood in the streets, they hop, from stone to stone, in forlorn search of some hidden eatable in the mud, and can scarcely raise a crow among them. The only one with anything approaching to a voice, is an aged bantam at the baker's; and even he is hoarse, in consequence of bad living in his last place.

To judge from the size of the houses, they have been, at one time, tenanted by persons of better condition than their present occupants; but they are now let off, by the week, in floors or rooms, and every door has almost as many plates or belf-handles as there are apartments within. The windows are, for the same reason, sufficiently diversified in appearance, being ornamented with every variety of common blind and curtain that can easily be imagined; while every doorway is blocked up, and rendered nearly impassable, by a motley collection of children and porter pots of all sizes, from the baby in arms and the half-pint pot, to the full-grown girl and half-gallon can.

In the parlour of one of these houses, which was perhaps a thought dirtier than any of its neighbours; which exhibited more bell-handles, children, and porter pots, and caught in all its freshness the first gust of the thick black smoke that poured forth, night and day, from a large brewery hard by; hung a bill, announcing that there was yet one room to let within its walls, though on what story the vacant room could be--regard being had to the outward tokens of many lodgers which the whole front displayed, from the mangle in the kitchen window to the flower-pots on the parapet--it would have been beyond the power of a calculating boy to discover.

The common stairs of this mansion were bare and carpetless; but a curious visitor who had to climb his way to the top, might have observed that there were not wanting indications of the progressive poverty of the inmates, although their rooms were shut. Thus, the first-floor lodgers, being flush of furniture, kept an old mahogany table--real mahogany--on the landing-place outside, which was only taken in, when occasion required. On the second story, the spare furniture dwindled down to a couple of old deal chairs, of which one, belonging to the back-room, was shorn of a leg, and bottomless.

The story above, boasted no greater excess than a worm-eaten wash-tub;and the garret landing-place displayed no costlier articles than two crippled pitchers, and some broken blacking-bottles.

It was on this garret landing-place that a hard-featured square-faced man, elderly and shabby, stopped to unlock the door of the front attic, into which, having surmounted the task of turning the rusty key in its still more rusty wards, he walked with the air of legal owner.

This person wore a wig of short, coarse, red hair, which he took off with his hat, and hung upon a nail. Having adopted in its place a dirty cotton nightcap, and groped about in the dark till he found a remnant of candle, he knocked at the partition which divided the two garrets, and inquired, in a loud voice, whether Mr Noggs had a light.

The sounds that came back were stifled by the lath and plaster, and it seemed moreover as though the speaker had uttered them from the interior of a mug or other drinking vessel; but they were in the voice of Newman, and conveyed a reply in the affirmative.

`A nasty night, Mr Noggs!' said the man in the nightcap, stepping in to light his candle.

`Does it rain?' asked Newman.

`Does it?' replied the other pettishly. `I am wet through.'

`It doesn't take much to wet you and me through, Mr Crowl,' said Newman, laying his hand upon the lappel of his threadbare coat.

`Well; and that makes it the more vexatious,' observed Mr Crowl, in the same pettish tone.

Uttering a low querulous growl, the speaker, whose harsh countenance was the very epitome of selfishness, raked the scanty fire nearly out of the grate, and, emptying the glass which Noggs had pushed towards him, inquired where he kept his coals.

Newman Noggs pointed to the bottom of a cupboard, and Mr Crowl, seizing the shovel, threw on half the stock: which Noggs very deliberately took off again, without saying a word.

`You have not turned saving, at this time of day, I hope?' said Crowl.

Newman pointed to the empty glass, as though it were a sufficient refutation of the charge, and briefly said that he was going downstairs to supper.

`To the Kenwigses?' asked Crowl.

Newman nodded assent.

`Think of that now!' said Crowl. `If I didn't--thinking that you were certain not to go, because you said you wouldn't--tell Kenwigs I couldn't come, and make up my mind to spend the evening with you!'

`I was obliged to go,' said Newman. `They would have me.'

`Well; but what's to become of me?' urged the selfish man, who never thought of anybody else. `It's all your fault. I'll tell you what--I'll sit by your fire till you come back again.'

同类推荐
热门推荐
  • Love's Labour's Lost

    Love's Labour's Lost

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 画红唇

    画红唇

    杨袭,女,1976年出生于黄河口,08年始在《大家》《作品》《黄河文学》《飞天》《山东文学》等文学杂志发表小说。
  • 水个浒

    水个浒

    ???秦星浩在一场车祸中穿越到北宋徽宗时期,疑是水浒传的世界,命运的轨迹就此开始变道,而已近腐朽的北宋王朝又因这个穿越者的到来会翻起怎样的滔浪......咱也不知道,咱也不敢问,共同探索吧
  • 灵与肉

    灵与肉

    张贤亮说:"世界如果没有女人便不成其为世界,如果我在摇篮中发现这个世界没有女人,我一定在摇篮中自我窒息而死。"《灵与肉》是张贤亮的中短篇合集,包括《灵与肉》、《刑老汉和狗的故事》、《吉普赛人》、《四十三次快车》、《霜重色逾浓》五个短篇和中篇小说《土牢情话》。其中,中篇小说《土牢情话》以第一人称我的口吻,采用倒叙的方式讲述一个年轻的“摘帽右派”在文革中蹲土牢时遭遇的一段感情经历。姑娘姓乔,丰腴、妩媚而又端庄,是看押我的班长。因为爱我,不顾危险夜里送饼子给我,夏天利用职权把我安排在靠窗凉快的位置,冒死往外递条子,得知我将被迫害,大胆提出私奔。可我,出于保护自己的本能,对信念虔诚的悔悟,全部向当局坦白,导致善良的乔姑娘被领导糟蹋。更多精彩,请点击阅读。
  • 四川文学(2015年第11期)

    四川文学(2015年第11期)

    《四川文学》: 文学刊物。以发表短篇小说为主,同时容纳其它文学体裁、品类,注重思想性与文学性的统一,刊物融现实性、艺术性、可读性于一体,聚读者、作者、编者为一家,所发作品受到省内外广大读者和全国各家文学选刊的青睐。
  • 纪录片

    纪录片

    你是雷双虎叔叔吗?一个怯怯的声音在我的背后响起。那时候我正准备开门,钥匙还插在锁孔里。我转头一看,是一个陌生的女孩,十八九岁的模样,背着一个式样陈旧的白色双肩包。我就是雷双虎,你是?我有些惊愕地问。女孩理了理被汗水沾住的那一绺头发,突然露出笑脸来,呀,雷叔,你认不出我来了?我是陆小萍啊,就是你拍的片子里的那个陆小萍。
  • 中国性别理论与女性文学批评

    中国性别理论与女性文学批评

    在中国女性文学批评领域,西方女性主义学说一直拥有话语霸权,“以西律中”“借西构体”是大多数学者选择的批评范式与批评路径。西方女性主义学说以西方性别政治压迫与文学实践为批判指涉创构,在中国的适用程度值得分析。走出西学话语藩篱,进行民族主体性理论建构,已成为中国女性文学批评持续发展的重要课题,为此,本书在研究中国传统性别理论与观照中国女性主义文学批评实践基础上,提出中国女性文学批评民族主体性理论建构的构想。
  • 修行无岁月

    修行无岁月

    百转千回皆是人生,唯有信仰亘古不变。。。
  • HP弦乐狼吟

    HP弦乐狼吟

    【未肥缓更,可存可蹲】【正剧】 HP的同人小说,原创女主瑞贝塔·卡特。作为长年蹲蛇院坑的黑豆想要换个角度去看HP的世界。女主没有很强大,但是女主很坚强。女主没有孤僻,女主只是喜欢安静。正剧视角,不黑不苏不小白。
  • 名人传记丛书:威尔第

    名人传记丛书:威尔第

    名人传记丛书——威尔第——被高校拒绝了的世界歌剧之王:“立足课本,超越课堂”,以提高中小学生的综合素质为目的,让中小学生从课内受益到课外,是一生的良师益友。