18. Of the bones of the leg, the inner one, called the tibia, is the more troublesome to manage, and requires the greater extension; and if the broken bones are not properly arranged, it is impossible to conceal the distortion, for the bone is exposed and wholly uncovered with flesh; and it is much longer before patients can walk on the leg when this bone is broken. But if the outer bone be broken, it causes much less trouble, and the deformity, when the bones are not properly set, is much more easily concealed, the bone being well covered with flesh; and the patients speedily get on foot, for it is the inner bone of the leg which supports the most of the weight of the body. For along with the thigh, as being in a line with weight thrown upon the thigh, the inner bone has more work to sustain;inasmuch as it is the head of the thigh-bone which sustains the upper part of the body, and it is on the inner and not on the outer side of the thigh, being in a line with the tibia; and the other half of the body approximates more to this line than to the external one; and at the same time the inner bone is larger than the outer, as in the fore-arm the bone in the line of the little finger is the slenderer and longer. But in the joint of the inferior extremity, the disposition of the longer bone is not alike, for the elbow and the ham are bent differently. For these reasons when the external bone is broken, the patients can soon walk about; but in fractures of the inner, it is a long time before they can walk.
同类推荐
A Defence of Free-Thinking in Mathematics
本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
热门推荐
胭脂醉:我不是小太监
胤朝皇宫,七月半的夜晚,倾盆大雨中,冷宫王才人所在的偏房总管太监何福死于意外,养女何妙妙发现养父丧生,在与王才人商讨之后,考虑到身处冷宫,为了免去风波,也为了讨这一口饭吃,何妙妙毅然决定埋葬养父,女扮男装,从此走上了一条假扮小太监的不归路。--情节虚构,请勿模仿粉嫩皇后是神偷:皇上要淡定
本神偷的宗旨:女人是用来疼的,男人是用来整的,宝贝是用来偷的,钱是用来骗的,人是用来差遣的,本大小姐穿越了当然要将这几个宗旨发扬光大发誓做一个绝色的优秀神偷。皇宫算什么、江湖算什么,谁富谁就是本小姐的目标!!什么??被本小姐光顾过的人都粘上来了?玩笑开大了一点吧,带着一大票人怎么去偷东西啊。就那一句话:姐是神偷,但是,姐不想玩偷心!! 春蚕与止酒:互文性视域下的陶渊明诗
本书是我国学术界第一部运用“互文性”理论研究陶诗的学术专著。这种理论的核心在于:任何一种文学文本都不是自给自足的,而是在吸纳前人以及同时代人所创造文学文本的基础上产生的,因此,任何文本都隐含着其他文本。本书在纵、横两个方向上深入阐发了这组诗的文本生成机制,彻底驱散了古往今来笼罩在这组诗上的迷雾。本书对《止酒》诗的阐发,也昭示了《止酒》诗在艺术形式上的艺术渊源和深远影响,表明了“《止酒》体”与中国古代文人“止酒情结”的生成关系。通过对这些陶诗经典的深入研究,本书弥补了西方“互文性”理论重内容轻形式的缺陷,表明了艺术形式的“互文性”对于文学建构的重要意义。书后的三种附录是作者研究陶诗“互文性”的副产品,为本书的理论阐释提供了更为丰富的文学文本证据。