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第18章

Ralph is delightful and most excellent, and it is on his account that she is insensible to the charms of Raymon de Ramieres an elegant and distinguished young man who is a veritable lady-killer.

Space forbids us to go into all the episodes of this story, but the crisis is that Colonel Delmare is ruined, and his business affairs call him to the Isle of Bourbon. He intends to take Indiana with him, but she refuses to accompany him. She knows quite well that Raymon will do all he can to prevent her going. She hurries away to him, offers herself to him, and volunteers to remain with him always.

It is unnecessary to give Raymon's reply to this charming proposal.

Poor Indiana receives a very wet blanket on a cold winter's night.

She therefore starts for the Isle of Bourbon, and, some time after her arrival there, she gets a letter from Raymon which makes her think that he is very unhappy. She accordingly hastens back to him, but is received by the young wife whom Raymon has just married. It is a very brilliant marriage, and Raymon could not have hoped for anything more satisfactory. Poor Indiana!

The Seine, however, is quite near, and she throws herself into it.

This was quite safe, as Ralph was there to fish her out again.

Ralph was always at hand to fish his cousin out of everything.

He is her appointed rescuer, her Newfoundland dog. In the country or in the town, on _terra firma_ or on the boat which takes Indiana to the Isle of Bourbon, we always see Ralph turn up, phlegmatic as usual. Unnecessary to say that Ralph is in love with Indiana. His apparent calmness is put on purposely.

It is the snowy covering under which a volcano is burning.

His awkward and unprepossessing appearance conceals an exquisite soul.

Ralph brings Indiana good news. Colonel Delmare is dead, so that she is free. What will she do now with her liberty?

After due deliberation, Ralph and Indiana decide to commit suicide, but they have to agree about the kind of death they will die.

Ralph considers that this is a matter of certain importance.

He does not care to kill himself in Paris; there are too many people about, so that there is no tranquillity. The Isle of Bourbon seems to him a pleasant place for a suicide. There was a magnificent horizon there; then, too, there was a precipice and a waterfall.

. . .

Ralph's happy ideas are somewhat sinister, but the couple set out nevertheless for the Isle of Bourbon in search of a propitious waterfall. A sea-voyage, under such circumstances, would be an excellent preparation. When once there, they carry out their plans, and Ralph gives his beloved wise advice at the last moment. She must not jump from the side, as that would be bad.

"Throw yourself into the white line that the waterfall makes,"he says. "You will then reach the lake with that, and the torrent will plunge you in." This sounds enticing.

Such a suicide was considered infinitely poetical at that epoch, and every one pitied Indiana in her troubles. It is curious to read such books calmly a long time afterwards, books which reflect so exactly the sentiments of a certain epoch. It is curious to note how the point of view has changed, and how people and things appear to us exactly the reverse of what they appeared to the author and to contemporaries.

As a matter of fact, the only interesting person in all this is Colonel Delmare, or, at any rate, he is the only one of whom Indiana could not complain. He loved her, and he loved no one else but her.

The like cannot be said for Indiana. Few husbands would imitate his patience and forbearance, and he certainly allowed his wife the most extraordinary freedom. At one time we find, a young man in Indiana's bedroom, and at another time Indiana in a young man's bedroom.

Colonel Delmare receives Raymon at his house in a friendly way, and he tolerates the presence of the sempiternal Ralph in his home.

What more can be asked of a husband than to allow his wife to have a man friend and a cousin? Indiana declares that Colonel Delmare has struck her, and that the mark is left on her face.

She exaggerated, though, as we know quite well what took place.

In reality all this was at Plessis-Picard. Delmare-Dudevant struck Indiana-Aurore. This was certainly too much, but there was no blood shed.

As to the other personages, Raymon is a wretched little rascal, who was first the lover of Indiana's maid. He next made love to poor Noun's mistress, and then deserted her to make a rich marriage.

Ralph plunges Indiana down a precipice. That was certainly bad treatment for the woman he loved. As regards Indiana, George Sand honestly believed that she had given her all the charms imaginable.

As a matter of fact, she did charm the readers of that time.

It is from this model that we have one of the favourite types of woman in literature for the next twenty years--the misunderstood woman.

The misunderstood woman is pale, fragile, and subject to fainting.

Up to page 99 of the book, Indiana has fainted three times. I did not continue counting. This fainting was not the result of bad health.

It was the fashion to faint. The days of nerves and languid airs had come back. The women whose grandmothers had walked so firmly to the scaffold, and whose mothers had listened bravely to the firing of the cannon under the Empire, were now depressed and tearful, like so many plaintive elegies. It was just a matter of fashion.

The mis-understood woman was supposed to be unhappy with her husband, but she would not have been any happier with another man. Indiana does not find fault with Colonel Delmare for being the husband that he is, but simply for being the husband!

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