登陆注册
4715100000013

第13章

We will now assume that you have become proficient enough to warrant an attempt at the construction of a real flying machine--one that will not only remain suspended in the air at the will of the operator, but make respectable progress in whatever direction he may desire to go.

The glider, it must be remembered, is not steerable, except to a limited extent, and moves only in one direction--against the wind. Besides this its power of flotation--suspension in the air--is circumscribed.

Larger Surface Area Required.

The real flying machine is the glider enlarged, and equipped with motor and propeller. The first thing to do is to decide upon the size required. While a glider of 20 foot spread is large enough to sustain a man it could not under any possible conditions, be made to rise with the weight of the motor, propeller and similar equipment added. As the load is increased so must the surface area of the planes be increased. Just what this increase in surface area should be is problematical as experienced aviators disagree, but as a general proposition it may be placed at from three to four times the area of a 20-foot glider.[3]

[3] See Chapter XXV.

Some Practical Examples.

The Wrights used a biplane 41 feet in spread, and 6 1/2ft. deep. This, for the two planes, gives a total surface area of 538 square feet, inclusive of auxiliary planes.

This sustains the engine equipment, operator, etc., a total weight officially announced at 1,070 pounds. It shows a lifting capacity of about two pounds to the square foot of plane surface, as against a lifting capacity of about 1/2 pound per square foot of plane surface for the 20-foot glider. This same Wright machine is also reported to have made a successful flight, carrying a total load of 1,100 pounds, which would be over two pounds for each square foot of surface area, which, with auxiliary planes, is 538 square feet.

To attain the same results in a monoplane, the single surface would have to be 60 feet in spread and 9 feet deep. But, while this is the mathematical rule, Bleriot has demonstrated that it does not always hold good.

On his record-breaking trip across the English channel, July 25th, 1909, the Frenchman was carried in a monoplane 24 1/2 feet in spread, and with a total sustaining surface of 150 1/2 square feet. The total weight of the outfit, including machine, operator and fuel sufficient for a three-hour run, was only 660 pounds. With an engine of (nominally) 25 horsepower the distance of 21 miles was covered in 37 minutes.

Which is the Best?

Right here an established mathematical quantity is involved. A small plane surface offers less resistance to the air than a large one and consequently can attain a higher rate of speed. As explained further on in this chapter speed is an important factor in the matter of weight-sustaining capacity. A machine that travels one-third faster than another can get along with one-half the surface area of the latter without affecting the load. See the closing paragraph of this chapter on this point. In theory the construction is also the simplest, but this is not always found to be so in practice. The designing and carrying into execution of plans for an extensive area like that of a monoplane involves great skill and cleverness in getting a framework that will be strong enough to furnish the requisite support without an undue excess of weight. This proposition is greatly simplified in the biplane and, while the speed attained by the latter may not be quite so great as that of the monoplane, it has much larger weight-carrying capacity.

Proper Sizes For Frame.

Allowing that the biplane form is selected the construction may be practically identical with that of the 20-foot glider described in Chapter V., except as to size and elimination of the armpieces. In size the surface planes should be about twice as large as those of the 20-foot glider, viz: 40 feet spread instead of 20, and 6 feet deep instead of 3. The horizontal beams, struts, stanchions, ribs, etc., should also be increased in size proportionately.

While care in the selection of clear, straight-grained timber is important in the glider, it is still more important in the construction of a motor-equipped flying machine as the strain on the various parts will be much greater.

How to Splice Timbers.

It is practically certain that you will have to resort to splicing the horizontal beams as it will be difficult, if not impossible, to find 40-foot pieces of timber totally free from knots and worm holes, and of straight grain.

If splicing is necessary select two good 20-foot pieces, 3 inches wide and 1 1/2 inches thick, and one 10-foot long, of the same thickness and width. Plane off the bottom sides of the 10-foot strip, beginning about two feet back from each end, and taper them so the strip will be about 3/4 inch thick at the extreme ends. Lay the two 20-foot beams end to end, and under the joint thus made place the 10-foot strip, with the planed-off ends downward.

The joint of the 20-foot pieces should be directly in the center of the 10-foot piece. Bore ten holes (with a 1/4-inch augur) equi-distant apart through the 20-foot strips and the 10-foot strip under them. Through these holes run 1/4-inch stove bolts with round, beveled heads.

In placing these bolts use washers top and bottom, one between the head and the top beam, and the other between the bottom beam and the screw nut which holds the bolt. Screw the nuts down hard so as to bring the two beams tightly together, and you will have a rigid 40-foot beam.

Splicing with Metal Sleeves.

An even better way of making a splice is by tonguing and grooving the ends of the frame pieces and enclosing them in a metal sleeve, but it requires more mechanical skill than the method first named. The operation of tonguing and grooving is especially delicate and calls for extreme nicety of touch in the handling of tools, but if this dexterity is possessed the job will be much more satisfactory than one done with a third timber.

同类推荐
  • Openings in the Old Trail

    Openings in the Old Trail

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 禅源诸诠集都序

    禅源诸诠集都序

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 道德真经集解

    道德真经集解

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • A Ride Across Palestine

    A Ride Across Palestine

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 太上出家传度仪

    太上出家传度仪

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
热门推荐
  • 女王崛起:极品元素师

    女王崛起:极品元素师

    现代称霸蔚蓝大海的傲娇女王,一朝重生成为异世大陆冷家九小姐。谁料到,所谓废材居然是顶级元素师的绝世天才!天赋过人却扮猪吃虎,背靠大树隐藏实力。当家族遭遇灭顶之灾,是谁力挽狂澜、重振声望?当顶级元素学校前来招生,是谁惊艳四座、震撼全场?当大陆选拔天赋测试,是谁打破记录、荣耀登顶?一把剑,一本书,绝妙风姿无双容颜。偏偏当她遇到他,女王碰上君王,干柴撞到烈火,熊熊燃烧的爱情之花跨越万年。他说:“若世人欺你,辱你,蔑你,我便灭世!”
  • 都市超神垃圾桶

    都市超神垃圾桶

    宋晨看着眼前巨大无比的垃圾桶,有些懵逼。“咦,这是废弃的仙丹?”“卧槽,这是吃剩下的仙桃?”“妈耶,这一定是仙女用过的口红!”看着眼前的一切,宋晨终于若有所悟……
  • 大江东去

    大江东去

    他,是21世纪的“天之骄子”......他,是东汉末年,才华横溢的建安诗人.....机缘巧合,他们两人竟然跨越千年的时光相遇了,而且合二为一,融合在了一起...他们俩,一个聪明机敏,诡计多端;一个才高八斗,满腹经纶。而且他们有着共同的理想和志向,三国的历史注定将由他们来改写......(本文初期会按照真实历史事件和时间来写,中,后期架空历史。请诸位多多指教。)本文首发于晋江原创网。
  • 铁血蛮王

    铁血蛮王

    一个凶兽横行的世界,一个仙魔并立的时代,一切、因一野蛮人的崛起而改变。当数千年前的神魔记忆觉醒,他是否还会屠戮众生、霍乱大地?
  • 红楼之林如海重生

    红楼之林如海重生

    一路看着女儿泪尽夭亡,直到贾家覆灭,林如海方得以解脱重生。保住老婆孩子,一家五口幸福美满。咦,为什么是五口?林如海重生,林妹妹还会悲剧么?
  • 手绘的世界

    手绘的世界

    格言在编辑部里的新策划是有关奇妙的故事,他想到溯前取材------同学江夏莉似乎在一点一点重述曾经,但是有人一直将他拉回现实。然而他遇到的问题似乎故事里的术师会替他一一“解决”!
  • 股东

    股东

    吴冶平当了一辈子职业经理,离职之后坐在家里等退休了,却突然自己当起了老板。事情起因于林中,一个名字看上去像梁山好汉“林冲”的山东小伙子。林之前在一家台资企业做业务员,后来因为掌握了订单,就注册了自己的公司,继续给吴任职的深皇集团供货。因为这层关系,林对吴十分尊重,开口必称“大哥”,还特聘吴为其公司的“顾问”。
  • 大道天坟

    大道天坟

    明巫山前,一座小村庄,错落着两三间破旧的茅屋。病?上,垂垂老朽,年迈的金焕来已是形将就木。?前,其妻宫氏泪眼婆娑,却颤抖着双手,与金焕来的双手紧紧地握在一起。“往后不能陪你了,你要好好的,不要让我还放心不下。”金焕来伸出长满老茧的手,温柔地抚摸着爱妻被时光风霜侵蚀的脸庞,哽咽着道:“你我相约一生,相守相携,岁月如歌,铭刻着你我的执着,撰写着我们的人生,有你相随,不枉此生,来世希望还能遇见你,黄泉路上我也会记得你。”宫氏泪雨连珠:“但愿你在黄泉路上,奈何桥前不要把我给忘了,记得等着我。”金焕来槁木死灰的脸上浮现出一抹幸福的笑容,嘴里下意识地喃喃喃自语:“我等着你......”。
  • 三世相许缘风起

    三世相许缘风起

    一曲箫音道不尽万年悲凉,一盏忘忧绝不了万年痴恋他是清冷决绝的上仙顾云生 她是破茧成蝶的帝公主拂初 一个是高岭之花 一个是缠人的小妖精 万年之后,你忘记了我,我们还能不能在一起?
  • 新闻哲学的思考:以人类认知为参照

    新闻哲学的思考:以人类认知为参照

    全书100万字,分认知之路(引论)、新闻之路、新闻本质论、新闻复杂论、新闻价值论、新闻表现论、新闻超越论七大部分。这是一部构建新闻哲学大厦的奠基之作,一部揭示新闻深层奥秘的鸿篇巨著。它以一线新闻记者的探索和感悟为基础,吸收了新疆经济报20年新闻改革的理论成果,集中西新闻思想之大成,以最新科学哲学理论成果为支撑,填补了中国大陆“新闻哲学”领域的学术空白,为信息时代新闻理论创新做出了新的探索,具有重大学术意义和实践指导价值。