Coppinger might be tired, but he was still enthusiastic. He tried to make me enthusiastic also. "Look here," he said, "there's no knowing what you may find up there, and if you do lay hands on anything, remember it's your own. I shall have no claim whatever.""Very kind of you, but I've got no use for any more mummies done up in goatskin bags.""Bah! That's not a burial cave up there. Don't you know the difference yet in the openings? Now, be a good fellow. It doesn't follow that because we have drawn all the rest blank, you won't stumble across a good find for yourself up there.""Oh, very well," I said, as he seemed so set on it; and away Istumbled over the fallen rocks, and along the ledge, and then scrambled up by that fissure in the cliff which saved us the two-mile round which we had had to take at first. I wrenched out the crowbar, and jammed it down in a new place, and then away Iwent over the side, with hands smarting worse at every new grip of the rope. It was an awkward job swinging into the cave mouth because the rock above overhung, or else (what came to the same thing) it had broken away below; but I managed it somehow, although I landed with an awkward thump on my back, and at the same time Ididn't let go the rope. It wouldn't do to have lost the rope then:
Coppinger couldn't have flicked it into me from where he was below.
Now from the first glance I could see that this cave was of different structure to the others. They were for the most part mere dens, rounded out anyhow; this had been faced up with cutting tools, so that all the angles were clean, and the sides smooth and flat. The walls inclined inwards to the roof, reminding me of an architecture I had seen before but could not recollect where, and moreover there were several rooms connected up with passages. Iwas pleased to find that the other cave-openings which Coppinger wanted me to explore were merely the windows or the doorways of two of these other rooms.
Of inscriptions or markings on the walls there was not a trace, though I looked carefully, and except for bats the place was entirely bare. I lit a cigarette and smoked it through--Coppinger always thinks one is slurring over work if it is got through too quickly--and then I went to the entrance where the rope was, and leaned out, and shouted down my news.
He turned up a very anxious face. "Have you searched it thoroughly?" he bawled back.
"Of course I have. What do you think I've been doing all this time?""No, don't come down yet. Wait a minute. I say, old man, do wait a minute. I'm making fast the kodak and the flashlight apparatus on the end of the rope. Pull them up, and just make me half a dozen exposures, there's a good fellow.""Oh, all right," I said, and hauled the things up, and got them inside. The photographs would be absolutely dull and uninteresting, but that wouldn't matter to Coppinger. He rather preferred them that way. One has to be careful about halation in photographing these dark interiors, but there was a sort of ledge like a seat by the side of each doorway, and so I lodged the camera on that to get a steady stand, and snapped off the flashlight from behind and above.
I got pictures of four of the chambers this way, and then came to one where the ledge was higher and wider. I put down the camera, wedged it level with scraps of stone, and then sat down myself to recharge the flashlight machine. But the moment my weight got on that ledge, there was a sharp crackle, and down Iwent half a dozen inches.
Of course I was up again pretty sharply, and snapped up the kodak just as it was going to slide off to the ground. I will confess, too, I was feeling pleased. Here at any rate was a Guanche cupboard of sorts, and as they had taken the trouble to hermetically seal it with cement, the odds were that it had something inside worth hiding. At first there was nothing to be seen but a lot of dust and rubble, so I lit a bit of candle and cleared this away. Presently, however, I began to find that I was shelling out something that was not cement. It chipped away, in regular layers, and when I took it to the daylight I found that each layer was made up of two parts. One side was shiny staff that looked like talc, and on this was smeared a coating of dark toffee-coloured material, that might have been wax. The toffee-coloured surface was worked over with some kind of pattern.
Now I do not profess to any knowledge on these matters, and as a consequence took what Coppinger had told me about Guanche habits and acquirements as more or less true. For instance, he had repeatedly impressed upon me that this old people could not write, and having this in my memory, I did not guess that the patterns scribed through the wax were letters in some obsolete character, which, if left to myself, probably I should have done. But still at the same time I came to the conclusion that the stuff was worth looting, and so set to work quarrying it out with the heel of my boot and a pocket-knife.
The sheets were all more or less stuck together, and so I did not go in for separating them farther. They fitted exactly to the cavity in which they were stored, but by smashing down its front Iwas able to get at the foot of them, and then I hacked away through the bottom layers with the knife till I got the bulk out in one solid piece. It measured some twenty inches by fifteen, by fifteen, but it was not so heavy as it looked, and when I had taken the remaining photographs, I lowered it down to Coppinger on the end of the rope.
There was nothing more to do in the caves then, so I went down myself next. The lump of sheets was on the ground, and Coppinger was on all fours beside it. He was pretty nearly mad with excitement.
"What is it?" I asked him.
