"The Countess began to cry. 'Poor child!' she said, 'this misfortune is the result of treacherous insinuations. Wicked people have tried to separate me from your father to satisfy their greed. They mean to take all our money from us and to keep it for themselves. If your father were well, the division between us would soon be over; he would listen to me; he is loving and kind; he would see his mistake. But now his mind is affected, and his prejudices against me have become a fixed idea, a sort of mania with him. It is one result of his illness. Your father's fondness for you is another proof that his mind is deranged.
Until he fell ill you never noticed that he loved you more than Pauline and Georges. It is all caprice with him now. In his affection for you he might take it into his head to tell you to do things for him. If you do not want to ruin us all, my darling, and to see your mother begging her bread like a pauper woman, you must tell her everything----'
" 'Ah!' cried the Count. He had opened the door and stood there, a sudden, half-naked apparition, almost as thin and fleshless as a skeleton.
"His smothered cry produced a terrible effect upon the Countess; she sat motionless, as if a sudden stupor had seized her. Her husband was as white and wasted as if he had risen out of his grave.
" 'You have filled my life to the full with trouble, and now you are trying to vex my deathbed, to warp my boy's mind, and make a depraved man of him!' he cried, hoarsely.
"The Countess flung herself at his feet. His face, working with the last emotions of life, was almost hideous to see.
" 'Mercy! mercy!' she cried aloud, shedding a torrent of tears.
" 'Have you shown me any pity?' he asked. 'I allowed you to squander your own money, and now do you mean to squander my fortune, too, and ruin my son?'
" 'Ah! well, yes, have no pity for me, be merciless to me!' she cried.
'But the children? Condemn your widow to live in a convent; I will obey you; I will do anything, anything that you bid me, to expiate the wrong I have done you, if that so the children may be happy! The children! Oh, the children!'
" 'I have only one child,' said the Count, stretching out a wasted arm, in his despair, towards his son.
" 'Pardon a penitent woman, a penitent woman! . . .' wailed the Countess, her arms about her husband's damp feet. She could not speak for sobbing; vague, incoherent sounds broke from her parched throat.
" 'You dare to talk of penitence after all that you said to Ernest!'
exclaimed the dying man, shaking off the Countess, who lay groveling over his feet.--'You turn me to ice!' he added, and there was something appalling in the indifference with which he uttered the words. 'You have been a bad daughter; you have been a bad wife; you will be a bad mother.'
"The wretched woman fainted away. The dying man reached his bed and lay down again, and a few hours later sank into unconsciousness. The priests came and administered the sacraments.
"At midnight he died; the scene that morning had exhausted his remaining strength, and on the stroke of midnight I arrived with Daddy Gobseck. The house was in confusion, and under cover of it we walked up into the little salon adjoining the death-chamber. The three children were there in tears, with two priests, who had come to watch with the dead. Ernest came over to me, and said that his mother desired to be alone in the Count's room.
" 'Do not go in,' he said; and I admired the child for his tone and gesture; 'she is praying there.'
"Gobseck began to laugh that soundless laugh of his, but I felt too much touched by the feeling in Ernest's little face to join in the miser's sardonic amusement. When Ernest saw that we moved towards the door, he planted himself in front of it, crying out, 'Mamma, here are some gentlemen in black who want to see you.!'
"Gobseck lifted Ernest out of the way as if the child had been a feather, and opened the door.
"What a scene it was that met our eyes! The room was in frightful disorder; clothes and papers and rags lay tossed about in a confusion horrible to see in the presence of Death; and there, in the midst, stood the Countess in disheveled despair, unable to utter a word, her eyes glittering. The Count had scarcely breathed his last before his wife came in and forced open the drawers and the desk; the carpet was strewn with litter, some of the furniture and boxes were broken, the signs of violence could be seen everywhere. But if her search had at first proved fruitless, there was that in her excitement and attitude which led me to believe that she had found the mysterious documents at last. I glanced at the bed, and professional instinct told me all that had happened. The mattress had been flung contemptuously down by the bedside, and across it, face downwards, lay the body of the Count, like one of the paper envelopes that strewed the carpet--he too was nothing now but an envelope. There was something grotesquely horrible in the attitude of the stiffening rigid limbs.
"The dying man must have hidden the counter-deed under his pillow to keep it safe so long as life should last; and his wife must have guessed his thought; indeed, it might be read plainly in his last dying gesture, in the convulsive clutch of his claw-like hands. The pillow had been flung to the floor at the foot of the bed; I could see the print of her heel upon it. At her feet lay a paper with the Count's arms on the seals; I snatched it up, and saw that it was addressed to me. I looked steadily at the Countess with the pitiless clear-sightedness of an examining magistrate confronting a guilty creature. The contents were blazing in the grate; she had flung them on the fire at the sound of our approach, imagining, from a first hasty glance at the provisions which I had suggested for her children, that she was destroying a will which disinherited them. A tormented conscience and involuntary horror of the deed which she had done had taken away all power of reflection. She had been caught in the act, and possibly the scaffold was rising before her eyes, and she already felt the felon's branding iron.
