(20) Beaumarchais' 'Figaro,' which was received with such enthusiasm in France shortly before the outbreak of the Revolution, may be regarded as a typical play; it represented the average morality of the upper as well as the lower classes with respect to the relations between the sexes. "Label men how you please," says Herbert Spencer, "with titles of 'upper' and 'middle' and 'lower,'
you cannot prevent them from being units of the same society, acted upon by the same spirit of the age, moulded after the same type of character. The mechanical law, that action and reaction are equal, has its moral analogue. The deed of one man to another tends ultimately to produce a like effect upon both, be the deed good or bad. Do but put them in relationship, and no division into castes, no differences of wealth, can prevent men from assimilating.... The same influences which rapidly adapt the individual to his society, ensure, though by a slower process, the general uniformity of a national character.... And so long as the assimilating influences productive of it continue at work, it is folly to suppose any one grade of a community can be morally different from the rest. In whichever rank you see corruption, be assured it equally pervades all ranks--be assured it is the symptom of a bad social diathesis. Whilst the virus of depravity exists in one part of the body-politic, no other part can remain healthy."--SOCIAL STATICS, chap. xx. 7.
(21) Some twenty-eight years since, the author wrote and published the following passage, not without practical knowledge of the subject;and notwithstanding the great amelioration in the lot of factory-workers, effected mainly through the noble efforts of Lord Shaftesbury, the description is still to a large extent true:--"The factory system, however much it may have added to the wealth of the country, has had a most deleterious effect on the domestic condition of the people. It has invaded the sanctuary of home, and broken up family and social ties. It has taken the wife from the husband, and the children from their parents. Especially has its tendency been to lower the character of woman. The performance of domestic duties is her proper office,--the management of her household, the rearing of her family, the economizing of the family means, the supplying of the family wants. But the factory takes her from all these duties. Homes become no longer homes. Children grow up uneducated and neglected. The finer affections become blunted. Woman is no more the gentle wife, companion, and friend of man, but his fellow-labourer and fellow-drudge. She is exposed to influences which too often efface that modesty of thought and conduct which is one of the best safeguards of virtue. Without judgment or sound principles to guide them, factory-girls early acquire the feeling of independence. Ready to throw off the constraint imposed on them by their parents, they leave their homes, and speedily become initiated in the vices of their associates. The atmosphere, physical as well as moral, in which they live, stimulates their animal appetites; the influence of bad example becomes contagious among them and mischief is propagated far and wide."--THE UNION, January, 1843.
(22)A French satirist, pointing to the repeated PLEBISCITES and perpetual voting of late years, and to the growing want of faith in anything but votes, said, in 1870, that we seemed to be rapidly approaching the period when the only prayer of man and woman would be, "Give us this day our daily vote!"(23) "Of primeval and necessary and absolute superiority, the relation of the mother to the child is far more complete, though less seldom quoted as an example, than that of father and son.... By Sir Robert Filmer, the supposed necessary as well as absolute power of the father over his children, was taken as the foundation and origin, and thence justifying cause, of the power of the monarch in every political state. With more propriety he might have stated the absolute dominion of a woman as the only legitimate form of government."--DEONTOLOGY, ii. 181.
