At first the quality of her relationship to Manning seemed moving and beautiful to Ann Veronica. She admired and rather pitied him, and she was unfeignedly grateful to him. She even thought that perhaps she might come to love him, in spite of that faint indefinable flavor of absurdity that pervaded his courtly bearing. She would never love him as she loved Capes, of course, but there are grades and qualities of love. For Manning it would be a more temperate love altogether. Much more temperate; the discreet and joyless love of a virtuous, reluctant, condescending wife. She had been quite convinced that an engagement with him and at last a marriage had exactly that quality of compromise which distinguishes the ways of the wise. It would be the wrappered world almost at its best. She saw herself building up a life upon that--a life restrained, kindly, beautiful, a little pathetic and altogether dignified; a life of great disciplines and suppressions and extensive reserves. . .
But the Ramage affair needed clearing up, of course; it was a flaw upon that project. She had to explain about and pay off that forty pounds. . . .
Then, quite insensibly, her queenliness had declined. She was never able to trace the changes her attitude had undergone, from the time when she believed herself to be the pampered Queen of Fortune, the crown of a good man's love (and secretly, but nobly, worshipping some one else), to the time when she realized she was in fact just a mannequin for her lover's imagination, and that he cared no more for the realities of her being, for the things she felt and desired, for the passions and dreams that might move her, than a child cares for the sawdust in its doll. She was the actress his whim had chosen to play a passive part. . . .
It was one of the most educational disillusionments in Ann Veronica's career.
But did many women get anything better?
This afternoon, when she was urgent to explain her hampering and tainting complication with Ramage, the realization of this alien quality in her relationship with Manning became acute. Hitherto it had been qualified by her conception of all life as a compromise, by her new effort to be unexacting of life. But she perceived that to tell Manning of her Ramage adventures as they had happened would be like tarring figures upon a water-color.
They were in different key, they had a different timbre. How could she tell him what indeed already began to puzzle herself, why she had borrowed that money at all? The plain fact was that she had grabbed a bait. She had grabbed! She became less and less attentive to his meditative, self-complacent fragments of talk as she told herself this. Her secret thoughts made some hasty, half-hearted excursions into the possibility of telling the thing in romantic tones--Ramage was as a black villain, she as a white, fantastically white, maiden. . . . She doubted if Manning would even listen to that. He would refuse to listen and absolve her unshriven.
Then it came to her with a shock, as an extraordinary oversight, that she could never tell Manning about Ramage--never.
She dismissed the idea of doing so. But that still left the forty pounds! . . .
Her mind went on generalizing. So it would always be between herself and Manning. She saw her life before her robbed of all generous illusions, the wrappered life unwrappered forever, vistas of dull responses, crises of make-believe, years of exacting mutual disregard in a misty garden of fine sentiments.
But did any woman get anything better from a man? Perhaps every woman conceals herself from a man perforce! . . .
She thought of Capes. She could not help thinking of Capes.
Surely Capes was different. Capes looked at one and not over one, spoke to one, treated one as a visible concrete fact. Capes saw her, felt for her, cared for her greatly, even if he did not love her. Anyhow, he did not sentimentalize her. And she had been doubting since that walk in the Zoological Gardens whether, indeed, he did simply care for her. Little things, almost impalpable, had happened to justify that doubt; something in his manner had belied his words. Did he not look for her in the morning when she entered--come very quickly to her? She thought of him as she had last seen him looking down the length of the laboratory to see her go. Why had he glanced up--quite in that way? . . .
The thought of Capes flooded her being like long-veiled sunlight breaking again through clouds. It came to her like a dear thing rediscovered, that she loved Capes. It came to her that to marry any one but Capes was impossible. If she could not marry him, she would not marry any one. She would end this sham with Manning. It ought never to have begun. It was cheating, pitiful cheating. And then if some day Capes wanted her--saw fit to alter his views upon friendship. . . .
Dim possibilities that she would not seem to look at even to herself gesticulated in the twilight background of her mind.
She leaped suddenly at a desperate resolution, and in one moment had made it into a new self. She flung aside every plan she had in life, every discretion. Of course, why not? She would be honest, anyhow!
She turned her eyes to Manning.
He was sitting back from the table now, with one arm over the back of his green chair and the other resting on the little table. He was smiling under his heavy mustache, and his head was a little on one side as he looked at her.
"And what was that dreadful confession you had to make?" he was saying. His quiet, kindly smile implied his serene disbelief in any confessible thing. Ann Veronica pushed aside a tea-cup and the vestiges of her strawberries and cream, and put her elbows before her on the table. "Mr. Manning," she said, "I HAVE a confession to make.""I wish you would use my Christian name," he said.
She attended to that, and then dismissed it as unimportant.
Something in her voice and manner conveyed an effect of unwonted gravity to him. For the first time he seemed to wonder what it might be that she had to confess. His smile faded.
