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通过对爱新觉罗家族全新解读,再现清朝原貌,重温近代中华盛衰。一个饱尝荣辱,兴衰、安乱、争战的末代帝国。大清王朝近三百年的兴衰昌亡,成败得失,令人荡气回肠。爱新觉罗家族十二位皇帝的功过是非,昭前警后。清朝的崛起为封建社会注入了新的生机,它的衰落又导致了封建社会的瓦解。清朝是中国封建历史上的最后一个朝代,统治者为满族爱新觉罗氏。在明朝朱氏家族统治日渐没落的时候,东北苦寒之地的一个家族日益崛起,这个家族起先只是为了报杀父之仇,随着实力不断扩大,志向也由复仇变为建国乃至征服天下。清爱新觉罗家族自入关后,共历十帝,统治近三百年。爱新觉罗家族统治的历史中,家族问争斗没有前朝各代激烈,的问题在于“华夷之争”下的民族融合。爱新觉罗家族的统治使封建经济达到了,但同时,由于闭关自守、盲目自大,使中国在近现代落看于世界发展。Burial at Thebes
Commissioned to mark the centenary of the Abbey Theatre in Dublin in 2004, The Burial at Thebes is Seamus Heaney's new verse translation of Sophocles' great tragedy, Antigone - whose eponymous heroine is one of the most sharply individualized and compelling figures in Western drama. Faithful to the 'local row' and to the fierce specificity of the play's time and place, The Burial at Thebes honours the separate and irreconcilable claims of its opposed voices, as they enact the ancient but perennial conflict between family and state in a time of crisis, pitching the morality of private allegiance against that of public service. Above all, The Burial at Thebes honours the sovereign urgency and grandeur of the Antigone, in which language speaks truth to power, then and now.