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【种田】+【空间】+【温馨】+【致富】+【虐渣】被炸成灰灰的莫颜重生到了古代,成了正在逃荒的农家小萝莉!上有慈爱俊美的秀才爹爹一枚——不错!下有活泼可爱的弟妹一双——很好!可是,她好想再死一死有木有?逃荒路上,没吃没喝没住也就算了,竟然还要时时提防坏人把她捉去果腹!好在,前世可以升级的空间跟来了,然并卵——特么那个有山有水有肉吃的空间居然格式化了!面对绝境,莫颜重燃斗志:格式化了又怎样,姐照样在皇城根儿下致富发家!开山头、树果林、买商铺、盖房子……一个也不少!但是……眼红找茬的也很多!农庄是你的?给,坑死你没商量!想当她继母?行,送你几个鳏夫!亲娘来找?喏,休书,拿好,不送!……啥?美男上门提亲?额,这个……要不要扑倒呢?PS:1、坚持种田不动摇+非典型宅斗+无宫斗2、文风偏正,三观正常(不排除作者偶尔抽风)完结文链接:【农家弃女之秀丽田园】链接:【将门嫡女不好惹】链接:Molloy
Molloy is Samuel Beckett's best-known novel, and his first published work to be written in French, ushering in a period of concentrated creativity in the late 1940s which included the companion novels Malone Dies and The Unnamable. The narrative of Molloy, old and ill, remembering and forgetting, scarcely human, begets a parallel tale of the spinsterish Moran, a private detective sent in search of him, whose own deterioration during the quest joins in with the catalogue of Molloy's woes. Molloy brings a world into existence with finicking certainties, at the tip of whoever is holding the pencil, and trades larger uncertainties with the reader. Then I went back into the house and wrote, It is midnight. The rain is beating on the windows. It was not midnight. It was not raining.